Music and Time Index of articles published in the journals "Music and Time" in 2022. << Back FOLKLORISTICS R.B. Bakhmanli Rhythms of Azerbaijan More » A.R. Zhivica Musical Ethnocultural Projects and Specificity More » Z.V. Kazharova The Problem of Gender Stratification in the Culture of the Circassians. Women’s Folklore More » A.V. Gucheva Semantics and Semantic Motivations of the Cultural Meanings Mozdok Kabardians Song-Address of the to the Overlord of Smallpox «Sozyreshchym i bg"er Dyshches!» (Sozaresh has Golden Breasts!) More » S.Yu. Gutova Physiological Vibration as an Acoustic Component of Authentic Timbre-Toning More » PERFORMING ART G.M. Bakirova Features of Melisms in the Context of Music of the XX Century on the Example of «Makrokosmos» of George Crumb (Volume I) and Piano Music of Azerbaijani Composers More » I.V. Stachinskaya On the Concept of "Reinterpretation" in the Performing Arts (on the Example of the Flute Repertoire) More » Yu.I. Tsurikova The Choice of Mediators for High-Quality Sound Extraction When Playing the Domra More » S.A. Tyaglova, A.I. Baryshnikova Psychology of Conducting as an Important Component of the Practical Work of a Chormeaster More » S.A. Konovalova, D.A. Popova Formation of the Skill of Scat Singing in the Classroom Pop-Jazz Vocals More » Li Hui The Influence of Personal Performance Style on the Flow and Perception of Classical Violin Music Pieces More » Luan Tianquan About Musical Education in the Professional Training of the Future Sound Engineer More » S.V. Sultanova Muzio Clementi and His Role in the History of Piano Art More » Wang Bojian The Experience of Forming a Methodological Model of Professional Training of Saxophonists in Higher Educational Institutions in China Based on the Theory and Practice of Teaching the Art of Academic Saxophone Playing in Russia More » M.V. Filippov, D.A. Petrova About the Piano Compositions of Sergei Slonimsky in the Context of Romantic Traditions and Scientific Works of the Author. Performance Comment More » R.R. Budagyan Formation and Development of the Armenian Violin Performing Art. Creativity of Karapet and Samvel Hayrapetyan More » Yu.V. Glazkova Issues of Authentic Performance Through the Prism of a Historical Organ More » A.E. Isgandarova Demonstration of Nationality in Chamber-Instrumental Works for Wind Instruments of Elnara Dadashova More » L.A. Sharnina Romances by Samuel Barber îð. 10 ¹ 1, ¹ 2, ¹ 3 to Words by J. Joyce. The Main Aspects of Methodological and Performance Analysis More » M.N. Yusifova Piano Concerto on Arab Themes by F. Amirov and E. Nazirova in the Performing Interpretation of Farhad Badalbeyli More » Zhao Qilong, S.V. Kuznetsova Performance Characteristics of the Piano School More » A.M. Semishova Domra – Prospects and Opportunities. Interview With the Laureate of All-Russian and International Competitions, Associate Professor of the Gnesin Russian Academy of Music E.N. Mochalova More » Wang Bojian Teaching the Art of Playing Wind Instruments in an Ensemble: the Experience of Building an Experimental Model More » V.N. Sukhorukov Conducting Gesture as a Means of Artistic and Non-Verbal Communication of a Military Conductor More » G.A. Ismailova Creativity of M.Y. Lermontov in Azerbaijani Vocal Music More » E.V. Kruglova Virtuosos of High Rank More » Guo Zhiyu Synthesis of European and Chinese Fret Systems as the Basis of Sun Yiqian’s Individual Style More » Sh.V. Mammadova Some Structural Features of «Music for String Orchestra» by Vasif Allahverdiev More » Wang Huixian The Role of the Violin Repertoire in the Professional Development of a Modern Erhu Performer More » R.E. Guluzade The role of the Russian Performing School in the Development of the Azerbaijani Piano Art More » Van Tszin Peculiarities of Conductor-Singer Work More » V.N. Sukhorukov Military Conductor’s Paralinguistics: Problem Statement More » M.I. Imkhanitskii, M.I. Sharabarin On the Commonality and Differences Between Ensemble and Orchestral Music Making on Russian Folk Instruments More » Ding Jiao Lyric Soprano: Pedagogy and Repertoire 1600–1980 More » S.R. Yolchueva On the Interpretation of the Genre of the Sonata on the Example of the Sonata for Violin and Piano by Jeyhun Allahverdiev More » Huang Zeyue The Role of Russian Opera in Promoting the European Opera Market More » O.Y. Ushakova On the Problem of Meaning Formation in the Late Period of Robert Schumann’s Work (on the Example of the Sonata for Violin and Piano No. 1) More » MUSICAL CULTUROLOGY V.A. Esakov, V.A. Volobuev Pop-jazz Music in the Context of Thinking about Culture and Cultural Codes More » Huang Zeyue The Vocal Education System in Modern China More » D.E. Kopylov On one Melodic Phrase in the Works of F. Chopin More » Chang Cheng Features of the Baritone Part in the Chinese Contemporary National Opera More » N. Solomonova Revive the Greatness of Russian Music More » N.A. Myatieva The Patriotic Theme in Russian Music from the Standpoint of Modernity More » A.V. Kolesnik Secrets of the Music Publishing House S.Ya. Yambor More » V.N. Tkachev, M.E. Dvornikova Save the Theater More » ARTISTIC PORTRAIT M.I. Imkhanitskii Outstanding Maestro of Bayan Art More » M.A. Stepanova Aesthetic and Philosophical Foundations of the Creative Work of Viktor Uliani More » M.A. Konarev Boris Tishchenko: "I Wrote" so Good" That They Got "Hot" More » N.B. Seliverstova To the 160th Anniversary of the First Russian Conservatory Professor of the Leningrad Conservatory Daria Mikhailovna Musina-Pushkina (1873–1947) More » E.I. Pererva Eclectic and Cosmopolitan: to the 70th Anniversary of Composer Mikhail Bronner More » A.P. Panov Alexander Lazarev. Maestro Portrait More » N.S. Huseynova The role of Bulbul in the Creation of the Azerbaijani Vocal School Dedicated to the 125th Anniversary of the Outstanding Azerbaijani Opera Singer Bulbul More » IN MEMORIAM A. Demchenko From Musical Discoveries "Sixties" of the Twentieth Century (to the 90th Anniversary of the birth of S.M. Slonimsky) More » V.I. Moiseeva «She Sang Over All the Continents Except Antarctica, of Course» Nina Evgenievna Vysotina More » HISTORY A.N. Lipov Inke Arns. On the Dark Side of Silence More » Guo Qing The Evolution of the Viennese Waltz in the First Half of the XIX Century More » N.D. Sviridovskaya The First Russian Puppet Show and its Music More » A.I. Demchenko The Precepts of an Outstanding Master More » Li Chao Anton Rubinstein «Die Gedichte and das Requiem fur Mignon» from Goethe’s «Wilhelm Meisters Lehrjahre» op. 91 (to the Issue of the Composition’s Genre Membership) More » L.R. Muradzadeh About the Influence of Azerbaijani Mugham on Local Choral Musical Creativity More » A.G. Garanova The Genre of Etude in the Work of A.G. Rubinstein (on the Example of op. 23) More » L. Belyakaeva-Kazanskaya Forgotten Score by A.K. Glazunov: Symphonic Prologue “In Memory of N.V. Gogol" More » Ge Chang The Third Piano Concerto of D. Kabalevsky (70th Anniversary of This Piece) More » A.I. Demchenko About the Genre System of J.S. Bach’s Music More » M.A. Moiseeva Moors in the Spanish Organ Art More » THEORY M.L. Novikova Features of the Harmonic language of Liszt in the Christian Sacraments: Confirmation and Eucharist More » U.N. Niftiyeva Romance Creativity of Suleiman Aleskerov More » L.F. Aslanova On the Synthesis of Azerbaijani Traditional Music and Some Features of the Jazz Style on the Example of "Postlude" by Composer Elnara Dadasheva More » K.B. Huseynova Ballet «Uria – Freedom» by Rauf Gadzhiev in the Context of the Problem of Tradition and Modernity More » I.P. Rubtsova Chamber Vocal Music by A.T. Grechaninov: Analysis of the Poetic Text of Selected Works More » L.I. Sundukova The Image of the Virgin Mary in the Liturgical Music of the Renaissance More » N.A. Petruseva, N.N. Alekseeva "Seven Haiku" by O. Messiaen: Interpretation of the Cycle, Orchestra, Compositional Techniques More » A.A. Riazantceva, M.L. Zaytceva The Embodiment of the Aesthetics of Neo-Expressionism in the Sonata for Violin and Piano "September 11" (2001) by Lera Auerbach More » A.D. Prokhorov, A.G. Gilev Refraction of National Traditions of Symphonism in the Poem «The Legency of yhe Temple of Christ the Savior» of G.I. Salnikov More » Hao Linchong Tchaikovsky’s Opera "Eugeny Onegin", Study of the Tenors’ Voice More » Sh.A. Mammadova The Study of the Creativity of the Folk Poet Samad Vurgu from the Point of View of Musicology More » TEACHER’S WORKSHOP A.S. Yusifova The Methodological Role of Piano Cycles in the Training of Pianists on the Example of the Work of Azerbaijani Composers More » V.A. Mammadova Development of Metrorhythmic Abilities of High School Students in Choral Classes in Children’s Music Schools (on the Example of Polyphony) More » O.A. Blok Development of Musical Thinking of Children in the Classes of Instrumentalists of Institutions of Additional Education More » Y.S. Savostyanova Forms of Improvisation in the Choreographic Art More » E.A. Kuzmina The Influence of Francois Delsarte on the Development of Plastic Theater More » S.A. Tyaglova, D.A. Morozova The Upbringing of a Conductor in the XXth Century More » I.M. Krasilnikov Electronic Keyboards in Musical Life, Education and on the Concert Stage More » M.M. Akhmetshin, I.V. Zupikov, O.I. Potapov Specific Features of the Process of Development of Professional Competences at the Military Conductor’s Department of the Military Institute (Military Conductors) of the Military University When Studying the Discipline «Methodology of Rehearsal and Conducting Practice in a Military Brass Band» More » WORKS BY CONTEMPORARY COMPOSERS O.A. Krishtalyuk, V.A. Krasnova «The Breath of Form» in the String Quartets of Georg Friedrich Haas More » A.M. Gosteva «Kama Bridge» by Peter Kulichkin: Range of Problems. General Characteristics of the Concept and Cultural and Historical Context More » E.E. Markelova G.P. Dmitriev Choral Cycle «Apostle of the Truth» to Verses T.G. Shevchenko: to the Problem of Drama More » O.A. Krishtalyuk Mythopoetics in the Music of Samara Composer Ilona Diagileva More » A.M. Gosteva «Kama Bridge» by Peter Kulichkin: Range of Problems. To the Question of the Genre More » A.M. Gosteva «Kama Bridge» by Peter Kulichkin: Range of Problems. Some Features of Musical Composition More » L.T. Jafarova Timbre and Textural Features of Firangiz Alizade’s Work "Dedication to Nasimi" More » CONCERTS & FESTIVALS A.N. Papenina, N.A. Kulygina «Time of Stravinsky» – the Time of the Young! More » MUSIC IN THEATRE E.I. Pererva I.A. Krylov’s Fables on the Stage of the N.I. Sats Children’s Musical Theater More » N.B. Seliverstova The First Directorial Experiences of the "Actualization" of Classical Opera More » MUSIC AND CINEMA O.I. Kuskashev Academic Music and Film Music: General and Various More » O.I. Kuskashev The Refraction of Cinematic Features in the Opera Work of S.S. Prokofiev More » ANNIVERSARIES D.Zh. Zhumabekova, A.E. Zheksembaj Aral Baisakalov – Pioneer Violinist from Kazakhstan (on the Occasion of his 75th Birthday) More » A.I. Demchenko The Eve of the Sixties To the 90th Anniversary of the Birth of Rodion Shchedrin More » EVENT M. Makarova Light of Divine Love More » BOOKSHELF S.A. Mammadova New Edition – «Secondary Special Music School-Studio-40 Formation and Innovation» More » O.A. Krishtalyuk Treatise I.I. Fuchs’ "Gradus ad Parnassum" and the Tradition of Teaching Counterpoint in Conservatoire Courses in Russia in the 19th and 20th Centuries More » WHITH A CUP OF TEA A.S. Konivec Interview with People’s Artist of Russia Alexander Andreevich Tsygankov More »