Music and Time Annotation << Back Refraction of National Traditions of Symphonism in the Poem «The Legency of yhe Temple of Christ the Savior» of G.I. Salnikov A.D. Prokhorov, A.G. Gilev In this article, the object of research attention is a symphonic poem for a large symphony orchestra, choir and soloist G.I. Salnikov "The Legend of the Cathedral of Christ the Savior". Being one of the major works in the composer's creative heritage, "The Legend of the Cathedral of Christ the Savior" testifies to the refraction in it of the national origins of symphonism, the rich traditions of refraction of the style of sacred music in the context of professional composer creativity. As a result of the study, a complex analysis is obtained for several levels of the architectonic structure of the work - figurative-semantic, intonational-thematic, orchestral. According to the author of the article, the symphonic poem "The Legend of the Cathedral of Christ the Savior" by G.I. Salnikov continues the traditions of national symphonism, established by the composers of "The Mighty Handful" and P.I. Tchaikovsky. Keywords: G.I. Salnikov, symphonic poem "The Legend of the Cathedral of Christ the Savior", traditions of national symphony, orchestral style, sacred choral music, chants. Pp. 16-21.