Music and Time Index of articles published in the journals "Music and Time" in 2019. << Back HISTORY N.V. Medvedeva The Centenàry of the First Great Russian Workers` Orchestra More » N.B. Seliverstova To an issue of formation of the Russian opera school (from history of the St. Petersburg conservatory: from a class of opera exercises to Opera studio) More » P.B. Podmazova 245 years since the birthday of Pierre Rode (1774–1830) More » A.I. Maslizkova The History of Music in Aesthetic Dimension More » T.V. Kartashova, V.D. Kartashov Music of Nepal: synthesis of traditions of different cultures More » A.V. Ustugova From history of formation of Old Russian violin performance of the 17th century More » L.B. Khanina Television opera in G.C. Menotti’s work More » R.G. Shitikova The Music World of S.E. Feinberg’s Sonatas of the 1910–1920s as a Reflection of the Social and Cultural Context of the Era More » A.I. Demchenko Shostakovich and Sviridov: Petersburg–Petrograd–Leningrad A small diptych More » N.Y. Yusupova Audiovisualization of the artistic image as a new specificity of thinking in art More » A.M. Gorshkova Unknown Arensky: the composer’s work at Russian choir society and Court chapel More » A.N. Butenko The landmark milestones of national history in the choral work of composers of Kabardino-Balkaria: Boris Temirkanov – cantata "Triptych of the era" More » M.V. Mikheeva «The Siloti Concerts» at the Small Hall of the Saint-Petersburg Conservatory More » A.I. Demchenko Romantic forever. To the 140th anniversary of N.K. Medtner More » N.V. Klimova Secret meanings in the first song of Bayan M.I. Glinka More » E.D. Krivitskaya Pierre Boulez, Andre Malraux and French cultural policy at the turn of the 1950s and 60s More » I. Medrish 170 years since the death of F. Chopin. Prelude in D Minor Chopin (a few strokes to a famous work) More » N.S. Serova I. Fichte and A. Scriabin: cosmogonic parallels More » Ê.H. Dadash-zade The role of Uzeyir Hajibeyov in the formation of the national style of the Azerbaijan composers’ school More » E.A. Soboleva Union of composers of the RSFSR – a look through some events in the history of I – VII congresses More » M.A. Moiseeva Jose de Nebra (1702–1768): portrait of a musician More » A.I. Demchenko, O.V. Nemkova «Paganism» as a phenomenon of Russian music of the early XX century: to the origins of people-national nature More » TEACHER`S WORKSHOP Y.A. Bogdanov Problems of Musical Phrasing More » NEW MUSIC A.V. Tavrizyan Thomas Newman’s Soundtrack for "American Beauty" (1999): Methods of Creating Meanings through Music More » A.Y. Popova Music and Lyrics in the of Leonid Desyatnikov’s Vocal Cycle «Love and life of a poet» More » M.V. Dolmatova Inferno’s World in Boris Tischenko’s Beatrice Cycliad More » A.S. Yusifova The «sounds of mugam» – cycle of pieces for young pianists by azerbaijani composer S. Ibragimova More » E.S. Guseva “... ex oriente lux ...” (“... light from the east ...”): listening to music of a violin concert A. Raskatova (cogito-sketch) More » ARTISTIC PORTRAIT A.N. Lipov John Cage – 8 Pieces from the Multi-faceted Life and Work of the Poly-artist More » A.I. Demchenko Subtexts of Aram Khachaturian`s Creativity More » E.S. Drynkina Creative Works by Vladimir Orlov More » A.O. Ibrahimova Words about legend resting in eternity. In memory of Arif Melikov More » E.A. Soboleva Philosophy of love in Song cycles Y. Gontsov More » Y.M. Thagazitov Creativity of folk singer (historical and cultural context) More » V.A. Esakov, V.V. Kondakov, A.D. Talakin Creative portrait of musician A. Shalaev More » WORKS BY CONTEMPORARY COMPOSERS M. Terteryan "Poem for violin" More » M. Terteryan "Elegy" More » M. Terteryan "Sadness comes" More » V.V. Orlov Five beautiful pieces More » G.V. Zadneprovskaya Lomonosov and Pasternak in Marburg: Roman Lvovich’s opera docu-fantasy More » N.V. Sypalo To the problem of ethnocultural identity in piano music Dagestani composers of the post-Soviet period More » G.V. Zadneprovskaya Monoopera «Toast» in the context of Nikolai Morozov’s work More » PERFORMING ART M.L. Zaytceva, R.R. Budagyan Synthesis of academic and non-academic traditions performing in contemporary violin art More » M.I. Imkhanitskii About essence in music and the verbal speech of phenomena of intoning, pronunciation and an articulation More » M.A. Konarev The tasks of the conductor in planning and conducting rehearsals and concert performances More » V.K. Polyansky In the class of Boris Ivanovich Kulikov More » N.I. Ilyicheva Light Opera – a new genre of musical theater XXI More » S.Ya. Vartanov Motive-plastic signs (MPZ) and the interpretation concept More » Sun Wei Sound production on the piano and techniques to improvethe technique of the student-pianist More » M.L. Zaytceva, R.R. Budagyan The impact of mass culture on development contemporary performing arts More » Î.V. Teryaev The main problems associated with the use of digital keyboards in the field of academic music More » O.I. Abramov «Ñoncertino for a trombone with string band» the Semantic analysis More » I.V. Malykhina Innovative technologies for organizing student`s independent work in the piano class More » S.A. Tyaglova, E.D. Zubareva The tradition of children’s mass choral singing in the context of modern school education More » V.V. Berezin Francois Doverne and the 19th century French trumpet school More » Yu.G. Krasko Duo Concertant for violin and piano by Igor Stravinsky in the context of the author’s interpretation (verbal and performing) More » A.P. Panov «Arzamas does not know him, but he knows Berlin, New York, Madrid, Milan, Rome!» (In memory of Leonid Vladimirovich Nikolaev) More » O.Y. Ushakova To the problem of transformation of the texture of piano transcriptions: the experience of the ontological approach More » A.A. Chergeev The influence of vocal creativity of the Crimean Tatars on the moral and aesthetic values of the people More » O.I. Abramov A. Thomasi. Concerto for trombone with orchestra. Some remarks on the work and its execution More » B.A. Pronin Methodological analysis of the setting of the performing apparatus of trombonist More » A.S. Satybaldinov Vasily Vetoshnikov: double bass player from Orenburg More » ANNIVERSARIES M. Makarova Arif Mirzoev: "The leitmotif of my compositions – human destinies" More » M. Makarova "We live in one breath, in one soul" More » A.S. Satybaldinov Karimkul Narbekov – double bass player, teacher (on the 75th birthday) More » A.P. Panov N.A. Rimsky-Korsakov – storyteller and singer of the earth russian (to 175 – anniversary of the birth of Nicholas Andreevich Rimsky-Korsakov) More » WRITE TO US A. Lesovichenko Opera as "Life" More » T.G. Katsko About the vocal cycle B.A. Tchaikovsky on verses by N.A. Zabolotsky "The last spring" More » BOOKSHELF N.S. Serova Musical art Russia, the beginning of XX century More » M.G. Valitova The Word of the biggest symphonist about melody More » THEORY O.V. Stroeva The musical structure of abstract painting More » A.V. Nikulina The verbal polyphony in the electro-acoustic composition «Thema. Omaggio a Joyce» by L. Berio More » Kh.T. Timizhev About the creative individuality of the poet-songwriter N. Bogatyrevà More » I.A. Kryazheva African-american music of the new world. A general overview More » P.A. Belik I.S. Turgenev's "Singers" In Sounding of the Russian National Orchestra More » M.V. Veliyev Ismayil Hajibayov. "Three poems" for Soprano, two violins, viola and violoncello to the text of A.S. Pushkin More » V.A. Fedorova Oriental hypothesis in interpreting Renaissance vocal music More » P.A. Belik Hymn first cosmonauta In the sound of the Russian orchestra More » K.I. Ahmadova About the problem of realization of comic topics and images in operettas of Azerbaijan composers More » A.S. Konivets Some features of the «Sonata dramaturgy for domra and piano» A. Tsygankov More » V.E. Apoltseva The Three Sides of Musical Content from the Renaissance to the twentieth century More » V.A. Koloney Intonation the beginning of music More » V.I. Adishchev Russian folk songs Transcribed by N.A. Rimsky-Korsakov (from the history of life in Perm government at the beginning of the 20th century) More » TEACHER’S WORKSHOP N.F. Semenova Some aspects of mastering a piece of music by trained instrumentalists More » O.A. Blok The reserves of pedagogy of musical performance in the XXI century More » O.A. Blok, N.F. Semenova The formation of performing actions-movements as a necessary pedagogical condition for the development of instrumental musicians More » S.A. Konovalova, O.O. Aksarina «Modern computer programs and sites to help the pop vocal teacher» More » MUSIC IN THEATRE A.Y. Popova Music and dance in the ballet in the ballet by Leonid Desyatnikov and Alexei Ratmansky "Russian seasons" More » O.A. Privalova The Image of Carmen in the director’s reading by F. Zeffirelli More » E.I. Pererva Opera-thriller «The lesson» by I. Kholopov: specifics of the genre and the features of drama More » M.S. Vysotskaya «Froth on the Daydream» by Edison Denisov in the mirror of directing productions More » E.E. Markelova S.S. Prokofiev. The Love for Three Oranges: concerning question of functional meaning of the choir in the opera (a research essay) More » M.A. Konarev On the musical, dramatic and genre features of the operetta B.I. Tishchenko «Tarakanishe» More » FOLKLORISTICS I.V. Korolkova Wedding group lamentations of the east and central part of the Novgorod region in the recording of the Rimsky-Korsakov St. Petersburg State Conservatory More » S.A. Mammadova Azerbaijani folk dances in the processing of Tofig Kuliyev: to the problem of harmonization of national frets More » A.V. Gucheva, M.A. Hokonov Systematization of oral folklore products circassian (adyghe) (by written, folklore and ethnographic sources of the XIX–beginning of the XXI centuries) More » A.G. Ostapenko Norwegian Traditional Music Performers in the Middle of the 19th Century from the Perspective of L.M. Lindeman’s Fieldwork Research More » A.V. Gucheva, M.A. Hokonov Nature of dance as a model attitude More » Lian Yicen At the intersection of the musical traditions of China and Europe: flute in the work The Bright Sun Shines over the Tien Shan Mountains by Huang Huwei More » S.M. Mamedli Principles of Azerbaijani folk songs use in the new genre – «Fikret Amirov’s Symphonic Mugham» More » T.D. Bulgakova On the verge of folklore and individual creativity: collective principle in the traditional Nanai song improvisation More » MUSICAL CULTUROLOGY N.V. Danilova Intellectual comic – from aesthetic to musicology More » A.V. Bobneva On the question of the search criteria for the algorithm of ethno-identity in the styles of modern national composers (using the example of M. Kasumov) More » I.S. Solntsev The relationship between pop and circus art in modern Russia: traditions and innovations More » L.A. Musayeva Ogtay Rajabov`s song of creativity More » M.V. Andreykina Boris Asafiev in the mirror of an English reader: A few words about the monograph of Elina Viljanen More » N.D. Ismail-zade Classical musical heritage of Azerbaijan composers of the early 50s of the twentieth century More » A.N. Lipov Adam Tendler John Cage on the beach. ESSAY. A trained pianist reflects on sonatas and cage interludes More » O.A. Sizhazheva Nalchik Music School – the First Step of Vocational Music Education of Kabardino-Balkaria More » Chzhan Tsyanvey Poetry of Mao Zedong and its implementation in music More » WHITH A CUP OF TEA E. Skurko Artem Makarov "My love affair with the theater began through the piano "(interview with the main conductor of the Bashkir State Opera and ballet Artem Makarov) More » CONCERTS & FESTIVALS I. Umnova Music for all More » A. Lesovichenko National Philharmonic - sixteen More » COMPETITIONS M.I. Shinkareva Results of the XXIX international competition student research papers in the field music art – 2019 More » IN MEMORIAM F.T. Uzdenova Iskhak Urusov. The Image of Musician in the Memoirs and Poem by A. Urusova «The Silent Violin» More » M. Makarova Prometheus spirit More »