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Music and Time

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Thomas Newman’s Soundtrack for "American Beauty" (1999): Methods of Creating Meanings through Music
A.V. Tavrizyan

Article presents an analysis and interpretation of composing methods and techniques as meaning-creating in a film. The film in question is "American Beauty" (1999) and its soundtrack by Thomas Newman. Article is largely dependent on the musical term "sound" as a main feature, form of being and composing technique in postmodern soundtrack. This analysis moves from smallest musical elements that have value in meaning-making to more major concepts that have significant impact on the meaning of the film as a whole.
Keywords: soundtrack, Thomas Newman, "American Beauty", sound, postmodernism, affectations, postmodern sensitivity.

Contacts: E-mail: charmsword@gmail.com

Pp. 17-22.

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