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Music and Time Annotation << Back
The influence of vocal creativity of the Crimean Tatars on the moral and aesthetic values of the people |
A.A. Chergeev
Interest in the Crimean Tatar vocal art is dictated by the revival of national musical traditions, and the creation of conditions for the use of the musical heritage of the Crimean Tatar people in the modern educational process. Questions of understanding the phenomenon of national were and remain relevant in the domestic science of art. During its long history, the musical culture of the Crimean Tatar people has left a rich trace in various spheres of material and spiritual activity. The basis of the traditional musical heritage of the Crimean Tatars were ancient folklore traditions of family-ritual, calendarritual, labor and game songs; traditions of musical and poetic tales, legends and legends; Islamic musical and cultural traditions – EZAN, Dua, book reading; musical and instrumental performance; solo singing based on the monody, which conveyed the specifics of Crimean Tatar music. Various musical traditions of the Crimean Tatars brought up respect for native music, instilled ethical, moral and aesthetic norms. Educational, educational, cognitive and educational functions of musical creativity, which reflected all spheres of life of the Crimean Tatars, became the basis of the national musical system, which directed the development of the Crimean Tatar folk and professional creativity. The formation of the musical culture of the Crimean Tatar people was based on the development of General Islamic traditions (a complex of literature and poetry in the system of spiritual and secular education), the assimilation of forms and genres of musical and poetic creativity (book singing, Beit, munajat), the study of musical creativity as a branch of scientific knowledge, as well as the desire to preserve national cultural achievements. Therefore, the traditional musical heritage of the Crimean Tatars, which was formed over many centuries, reflected the moral and aesthetic views of the Crimean Tatars, the life of the Crimean Tatar people, its material and spiritual values, various forms of musical education and education.
Keywords: Vocal creativity, musical heritage of the Crimean Tatars, musical culture, moral and aesthetic views, moral and aesthetic values.
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Pp. 39-42. |
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