Music and Time Annotation << Back The musical structure of abstract painting O.V. Stroeva The article is devoted to the phenomenological analysis of the mechanisms of meaning construction under the influence of abstract painting and avant-garde music, which is important in the context of the dialogue of arts, the interaction of various art paradigms, including the field of media art and virtual reality. The eidetic meaning of an abstract composition cannot be something stable in terms of its completeness and certainty, and we can talk about the ideal mobility and fluidity of an eidetic object of nonfigurativeness, which brings it closer to music. The whole aesthetics of the avant-garde implies not a stable, complete image, but the process of free construction of meanings from individual elements in the transcendental field of the viewer or listener. The author comes to the conclusion that the task of abstract painting is in freeing the viewer from himself, from his body dimension, and though this task is completely unique for painting, it is quite natural for music to exist as an extra-spatial and extra-temporal form. Keywords: abstract art, avant-garde, music, modern art, phenomenology, non-fi gurativeness. Contacts: E-mail: olessia_75@mail.ru Pp. 03-07.