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Music and Time

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Philosophy of love in Song cycles Y. Gontsov
E.A. Soboleva

The article is devoted to the problem of gender interaction through the identification of hidden patterns – "archetypes of love" that manifest themselves in literary texts. These archetypes are an existential program of masculinity/femininity that manifests itself most vividly in the experience of love. Love in this case is understood as a factor of completeness, completion of male and female principles, existential realization. On the example of the study of vocal cycles of the modern Astrakhan composer Yu. Gontsov, written on the poems of 20th century, belonging to different cultural traditions, it can be concluded that the archetype of love has no cultural and temporary destination and is a program of self-realization of the individual in its gender binary. The article uses a detailed synthetic analysis of poetic texts and musical tissue of vocal compositions, which allows us to trace the vivid expression of the archetype of love in the synthesis of music and words.
Keyword: The archetype of love, love, music, poetry, femininity, masculinity.

Contacts: E-mail: elenso10@mail.ru

Pp. 11-16.

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