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Music and Time

Index of articles published in the journals "Music and Time" in 2021.

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HISTORY
T.V. Kartashova, V.D. Kartashov Traditional Indian Puppet Theater at Crossing Times

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V.O. Petrov, Yu.V. Gorbunova "Macrocosmos I" and "Macrocosmos II" by George Crumb: Phenomena of Human Life

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B.G. Gnilov, M.V. Fedorov From the History of the Second World War. German Musical Life During National Socialism

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V.O. Petrov, Yu.V. Markina "Macrocosmos III" and "Macrocosmos IV" by George Crumb: contemplation of the nature of the Cosmos and Eternity

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K.Yu. Mikhaylov Music by D.D. Shostakovich to the film "Cheryomushki"

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V.O. Petrov, Yu.V. Markina "Macrocosmos". George rumbs Supercycle: Means of Combining Parts

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A.N. Lipov Byeongwon Ha An Origin of Interactive Art: Nam June Paiks Progressive Musical Instruments // Proceedings of the 22nd International Symposium on Electronic Art ISEA. 2016. Hong Kong. . 286289

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L.A. Hajiyeva Song genre in Azerbaijan in the light of musical and critical views of the II half of the twentieth century

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K.Yu. Mikhaylov "Sofya Perovskaya": Last Joint Work of D.D. Shostakovich and L.O. Arnshtam

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M.A. Moiseeva The Spanish Organ School in the 19th and Early 20th Centuries

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F.I. Nasirova From the History of Performing the Opera "Ashig Garib"

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A.G. Garanova The Genre of Barcarole in the Piano Work of A.G. Rubinstein

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A.I. Demchenko A Witness to the Radical Breakdown of Human Destinies. To the 150th Anniversary of the Birth of Z. Paliashvili

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D.T. Karekenova The Oratorio "Tatianas Song" by G. Zhubanova, the Laws of the Musical Embodiment of the Literary Image of Abai-Pushkin

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M.L. Novikova Extended Functional Key of the Major-Minor Scale in the Songs of F. Liszt

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E.V. Burundukovskaya The genre of the Keyboard Batalia in the Works of Western European Composers of the late XVIearly XVIII Centuries

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F.A. Safaraliyeva Issues in the Study of Small Mughams in Musical Heritage of Azerbaijan

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THEORY
A.S. Lukashova Kashchey the Deathless Spell of Death: on the Influence of the Lullaby Genre on the Dramaturgy of a Little Autumnal Fairy Tale by N.A. Rimsky-Korsakov

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Han Yipeng Adapting the Traditions of the Beijing Opera in Zhang Chaos Piano Piece Pihuang

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I.A. Koshcheeva Genre Style and Its Components in the Piano Sonata of Modern Russian Composers

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Yu Yalong Sonata for Cello and Piano, op. 65 Frederic Chopin in the Prism of Research Concepts and Performing Interpretation

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M.L. Novikova F. Liszt Septem sacramenta. Features of Romantic Harmony in the Music for Worship

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N.V. Devutskaya The First Violin Concerto by Nikolay Roslavets: Paradoxes of Style Identity

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M.V. Milovkina Tatiana Smirnovas Triptych for Cello and Piano Romantic Message to R. Schumann as One of the Neo-Romantic Style Evidences

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A.V. Guseva Appeal to the Sound World of Today at the Initial Stage of Learning Solfeggio

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G.N. Zeynalli Trends of Multiculturalism in the Work of Azerbaijani Composer Sardar Farajev

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I.M. Krasilnikov Experiment and Artistic Discovery in the Composers Work

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S.Ya. Vartanov S. Rachmaninov, First oncert op.1, Two Versions: 1st Edition (18901891) New Edition (1917)

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R.I. Allahverdieva About Genres of Processing and Arrangement in the Repertoire of the Azerbaijan State Chamber Orchestra named after K. Garayev

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A.V. Gucheva Symbolism and Imagery of Affective Structures in the Design of the Circassian (Adyghe) Musical Picture of the World

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I.A. Davydova Chamber Concerts of Charles Valentin Alkan

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S.Ya. Vartanov Rachmaninov. Rhapsody on the Theme of Paganini in a-moll, op. 43 (1934) Concept: "Life and Death, Love and the Immortality of the Artist Against the Background of the Era"

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B.G. Gnilov, R.N. Sazonenko, M.L. Novikova Concerto for Saxophone-Viola in the Works of A.K. Glazunov: Experience in Textual Analysis

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N.E. Bayramalibeyli Some Register Features of Mugham in the Texture of Composers Works (on the Example of Symphonic Mughams by Tofiq Bakikhanov)

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I.A. Koshcheeva Style Modes of Piano Sonata in the Creativity of Contemporary Native Composers

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A.S. Teplova Between Mass and Chanson: About the Term Motet in the XV Century

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PERFORMING ART
R.R. Budagyan Digital Transformation of Contemporary World Museums

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Xu Kehan On the Development of the Russian Opera in China

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A.P. Panov "Great artist Bolshoi Theater". To the 115th anniversary A.Sh. Melik-Pashayeva

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I.V. Batishchev, M.M. Trunov Wind Instrument Competitions: Their History, Merits, Future

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Wang Kexin Bel Canto Development and Innovation in Modern Chinese Universities

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O.R. Kovtunenko, A.V. Sayapin Phonetic Features of Italian and French Languages and Their Use by Russian-Speaking Vocalists in Singing

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V.V. Berezin Wind Instruments in the Space of Music Criticism and National Musicology

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L.D. Belenov, A.V. Furukin W.A. Mozart: Horn Concertos Unknown About Known

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E.O. Andreyko Performance Interpretation by N.D. Spiller of the Role of Olga from the Opera "The Pskovite Woman" by N.A. Rimsky-Korsakov

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A.A. Baranov The Vera Dulova Teacher Phenomenon: in Its Early Days

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E.D. Almakhanova G. Chumbalova is the First Performer of Piano Works by Kazakhstan Authors

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Zhou Meimei Stylistic features of the Vocal Cycle "Evening" by Valery Alexandrovich Gavrilin in the Perspective of the Performance Interpretation

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A.R. Hasanova To the Question on Performing Treatments of the Robert Schumann Kreisleriana by the Azerbaijani Pianists

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Huang Yanghua Tenor as a Singing Technique in Different Musical Ages

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D.T. Amirova The Main Stages of the Development of Interpretation in the Jazz Performance of Azerbaijan

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Wang Qing Russian Classical Romances in the Modern Educational Repertoire of a Future Professional Vocalist: on the Question of Understanding Artistic Value

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Mao Qian The Art of the Piano Ensemble in the European Musical Culture of the XX Century and its Influence on the Formation of Piano Ensemble Music Making in China

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A.V. Mokhort Basics of Orchestral Performance, Methodology Recommendations Rehearsals With Orchestra

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WORKS BY CONTEMPORARY COMPOSERS
S.V. Kekova, Y.O. Smoktiy Art as Confession and Preaching: Gogols Echo in the Choral Work of G.P. Dmitriev

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E.A. Alexandrova, T.D. Bulgakova The Method of Combinatorics as a Modification of the Sonata Principle in the Works of the Chinese Composer Tan Dun

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A.E. Karimova-Zakariyya Genre Basis, Thematic Content and Melodic Language of Vocal Miniatures With an Expanded Cast of S. Ibragimova

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Yu Yalong Iannis Xenakis Nomos Alpha: Interpretation Problems

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BOOKSHELF
A. Demchenko Song chronicle of Evgeny Biktashev

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O.S. Barabash "About courage, about valor, about glory ..." The monograph by A.I. Demchenko "Musical chronicle of the war years" (Moscow: RUSAYNS, 2020)

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WHITH A CUP OF TEA
L.D. Belenov Save the Leading Positions of the Russian Academy of Music Gnesins in Music Education in Russia Interview with A.S. Ryzhinsky Rector of the Russian Academy of Music Gnesins

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I.G. Razinkova Interview with an Honored Worker Culture of Russia, Teacher of the Central Music School at the Moscow Conservatory, Transcriptor and Composer Vasily Ivanovich Ermakov

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TEACHERS WORKSHOP
N.F. Semenova The Formation of Consciousness of Students of Orchestral Conductors in Institutions for Professional Music Education

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A.N. Pleskonosov The Development of Musical Ear Among First Graders in the Process of Learning to Sight Read

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M.A. Gotsdiner We Play Harmonics. Secrets of Craftsmanship

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M.I. Imkhanitskii Performing-Pedagogical Principles of Activity Andrey Alexandrovich Gorbachev: Connect Balalaika and Concert Tailcoat"

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I.V. Stachinskaya Music for Flute by German composers of the 17th 18th Centuries: to the Question of Interpretation

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P.U. Deliy Methodological Foundations of the System-Historical Study of the Professional Training of Wind Instrument Performers

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E.A. Klishina From the History of the Department of Folk Instruments (Harmonics) MGIM Named After A. Schnittke: Teachers and Traditions

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T.E. Batagova Grigori Pantijelew: I Was Thinking About How to Make Lectures About Music Interesting

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O.A. Blok Musical and Creative Development of Children in the Classes of Instrumentalists of Additional Education Institutions

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B.G. Gnilov, I.D. Nikoltsev Playing the Piano in the Course of Harmony: a Pedagogical Experiment Conducted at the Department of Theory and History of Institute of Military Conductors

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I.D. Nikoltsev The New Simple Counterpoint Worksheet

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Yu.-H. Tan Formation of Performing Actions-Movements as a Pedagogical Condition for the Training of Students-Bayanists

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H.-Y. Zhang Creative Development of Children in the Pipe Class

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O.A. Krishtalyuk In Search of a New Harmony: Towards an Individual Style in the Instrumental Works of Composer Pyotr Dyatlov

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E.G. Novokreschennykh, L.I. Abasheeva The World of Music in the Life and Work of F.M. Dostoevsky

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B.P. Pronin Key Principles of the Formation of the Trombonists Performing Apparatus

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FOLKLORISTICS
S.Yu. Gutova Timbre and Stylistic Features of the Neo-Folklore Composer Language. Part 1

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M.A. Shakhmurzova Proletarian Culture as the Main Vector of Development of the National Drama of the Kabardins

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S.Yu. Gutova Timbre and Stylistic Features of the Neo-Folklore Composer Language. Part 2

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I.G. Israfilova "Shemsi-gemer" peshrov

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V.A. Tsyrkov Folklore True and False

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A.V. Kosykh On the Parallels in the Religious Music of the Doukhobors and Mennonites

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.V. Chernobaeva Musical and Ethnographic Tradition of the Upper Pooch Region: Historiography of the Issue

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A.R. Zhivica, E.A. Kaminskaya Problems of the Actualization of Musical Folklore in the Late XX early XXI Centuries

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ARTISTIC PORTRAIT
D.Zh. Zhumabekova, A.E. Zheksembaj Murat Serkebaev Conductor, Musical and Public Figure (on the Occasion of the 80th Birthday)

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M. Makarova "Rapture Captivated the Sudden Mind"

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E.V. Lokshina The Modern Opera "The Periodic System" as a Reflection of the Shoah Tragedy

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MUSIC IN THEATRE
O.A. Privalova Semantic Signs in the Opera Carmen G. Bizet

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Alkhateeb Elka, M.L. Zaytceva Opera "Eugene Onegin" by Pyotr Ilyich Tchaikovsky in the Production of the Novaya Opera Theater (1996): Harmonization of the Interaction of the Triad "Conductor Director Set Designer"

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COMPETITIONS
M.I. Shinkareva Results of the XXXI International Competition of Students Research Papers in the Field of Musical Art

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NEW MUSIC
L.I. Malysheva On Polar Interconnections in Music: A. Part and G. Ustvolskaya

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A.S. Lokteva Between Paint and Tone: About Color-Sound Parallels in the Art of the XX Century

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A.O. Ibrahimova Interpretation of the Composition Named Tanrim (My God) by Ilham Nazarov

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EVENT
L. Belyakaeva-Kazanskaya Welcome home, Joanna! Premiere of "The Maid of Orleans" P.I. Tchaikovsky at the Mariinsky Theater

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MUSICAL CULTUROLOGY
L.I. Malysheva Pushkins Mozart and Salieri as the Cultural Code of the Art of Music

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Le Siyu Specifics of Creation and Performance of Saxophone Works by A. Glazunov

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MUSICAL ARCHAEOLOGY
N.B. Seliverstova The Formation of Dramatic Symphonism in the Early Work of Joseph Haydn

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IN MEMORIAM
D.ZH. ZHumabekova, M.B. Kapeu-Kohanova Joseph Kogan violinist from Kazakhstan (to the 100th anniversary of his birth)

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Music and Time
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