Music and Time Index of articles published in the journals "Music and Time" in 2021. << Back HISTORY T.V. Kartashova, V.D. Kartashov Traditional Indian Puppet Theater at Crossing Times More » V.O. Petrov, Yu.V. Gorbunova "Macrocosmos I" and "Macrocosmos II" by George Crumb: Phenomena of Human Life More » B.G. Gnilov, M.V. Fedorov From the History of the Second World War. German Musical Life During National Socialism More » V.O. Petrov, Yu.V. Markina "Macrocosmos III" and "Macrocosmos IV" by George Crumb: contemplation of the nature of the Cosmos and Eternity More » K.Yu. Mikhaylov Music by D.D. Shostakovich to the film "Cheryomushki" More » V.O. Petrov, Yu.V. Markina "Macrocosmos". George Ñrumb’s Supercycle: Means of Combining Parts More » A.N. Lipov Byeongwon Ha An Origin of Interactive Art: Nam June Paiks Progressive Musical Instruments // Proceedings of the 22nd International Symposium on Electronic Art ISEA. 2016. Hong Kong. Ð. 286–289 More » L.A. Hajiyeva Song genre in Azerbaijan in the light of musical and critical views of the II half of the twentieth century More » K.Yu. Mikhaylov "Sofya Perovskaya": Last Joint Work of D.D. Shostakovich and L.O. Arnshtam More » M.A. Moiseeva The Spanish Organ School in the 19th and Early 20th Centuries More » F.I. Nasirova From the History of Performing the Opera "Ashig Garib" More » A.G. Garanova The Genre of Barcarole in the Piano Work of A.G. Rubinstein More » A.I. Demchenko A Witness to the Radical Breakdown of Human Destinies. To the 150th Anniversary of the Birth of Z. Paliashvili More » D.T. Karekenova The Oratorio "Tatiana’s Song" by G. Zhubanova, the Laws of the Musical Embodiment of the Literary Image of Abai-Pushkin More » M.L. Novikova Extended Functional Key of the Major-Minor Scale in the Songs of F. Liszt More » E.V. Burundukovskaya The genre of the Keyboard Batalia in the Works of Western European Composers of the late XVI–early XVIII Centuries More » F.A. Safaraliyeva Issues in the Study of Small Mughams in Musical Heritage of Azerbaijan More » THEORY A.S. Lukashova Kashchey the Deathless’ Spell of Death: on the Influence of the Lullaby Genre on the Dramaturgy of a Little Autumnal Fairy Tale by N.A. Rimsky-Korsakov More » Han Yipeng Adapting the Traditions of the Beijing Opera in Zhang Chao’s Piano Piece «Pihuang» More » I.A. Koshcheeva Genre Style and Its Components in the Piano Sonata of Modern Russian Composers More » Yu Yalong Sonata for Cello and Piano, op. 65 Frederic Chopin in the Prism of Research Concepts and Performing Interpretation More » M.L. Novikova F. Liszt «Septem sacramenta». Features of Romantic Harmony in the Music for Worship More » N.V. Devutskaya The First Violin Concerto by Nikolay Roslavets: Paradoxes of Style Identity More » M.V. Milovkina Tatiana Smirnova’s Triptych for Cello and Piano «Romantic Message to R. Schumann» as One of the Neo-Romantic Style Evidences More » A.V. Guseva Appeal to the Sound World of Today at the Initial Stage of Learning Solfeggio More » G.N. Zeynalli Trends of Multiculturalism in the Work of Azerbaijani Composer Sardar Farajev More » I.M. Krasilnikov Experiment and Artistic Discovery in the Composer’s Work More » S.Ya. Vartanov S. Rachmaninov, First Ñoncert op.1, Two Versions: 1st Edition (1890–1891) – New Edition (1917) More » R.I. Allahverdieva About Genres of Processing and Arrangement in the Repertoire of the Azerbaijan State Chamber Orchestra named after K. Garayev More » A.V. Gucheva Symbolism and Imagery of Affective Structures in the Design of the Circassian (Adyghe) Musical Picture of the World More » I.A. Davydova Chamber Concerts of Charles Valentin Alkan More » S.Ya. Vartanov Rachmaninov. Rhapsody on the Theme of Paganini in a-moll, op. 43 (1934) – Concept: "Life and Death, Love and the Immortality of the Artist – Against the Background of the Era" More » B.G. Gnilov, R.N. Sazonenko, M.L. Novikova Concerto for Saxophone-Viola in the Works of A.K. Glazunov: Experience in Textual Analysis More » N.E. Bayramalibeyli Some Register Features of Mugham in the Texture of Composer’s Works (on the Example of Symphonic Mughams by Tofiq Bakikhanov) More » I.A. Koshcheeva Style Modes of Piano Sonata in the Creativity of Contemporary Native Composers More » A.S. Teplova «Between Mass and Chanson»: About the Term Motet in the XV Century More » PERFORMING ART R.R. Budagyan Digital Transformation of Contemporary World Museums More » Xu Kehan On the Development of the Russian Opera in China More » A.P. Panov "Great artist Bolshoi Theater". To the 115th anniversary A.Sh. Melik-Pashayeva More » I.V. Batishchev, M.M. Trunov Wind Instrument Competitions: Their History, Merits, Future More » Wang Kexin Bel Canto Development and Innovation in Modern Chinese Universities More » O.R. Kovtunenko, A.V. Sayapin Phonetic Features of Italian and French Languages and Their Use by Russian-Speaking Vocalists in Singing More » V.V. Berezin Wind Instruments in the Space of Music Criticism and National Musicology More » L.D. Belenov, A.V. Furukin W.A. Mozart: Horn Concertos – Unknown About Known More » E.O. Andreyko Performance Interpretation by N.D. Spiller of the Role of Olga from the Opera "The Pskovite Woman" by N.A. Rimsky-Korsakov More » A.A. Baranov The Vera Dulova – Teacher Phenomenon: in Its Early Days More » E.D. Almakhanova G. Chumbalova is the First Performer of Piano Works by Kazakhstan Authors More » Zhou Meimei Stylistic features of the Vocal Cycle "Evening" by Valery Alexandrovich Gavrilin in the Perspective of the Performance Interpretation More » A.R. Hasanova To the Question on Performing Treatments of the Robert Schumann «Kreisleriana» by the Azerbaijani Pianists More » Huang Yanghua Tenor as a Singing Technique in Different Musical Ages More » D.T. Amirova The Main Stages of the Development of Interpretation in the Jazz Performance of Azerbaijan More » Wang Qing Russian Classical Romances in the Modern Educational Repertoire of a Future Professional Vocalist: on the Question of Understanding Artistic Value More » Mao Qian The Art of the Piano Ensemble in the European Musical Culture of the XX Century and its Influence on the Formation of Piano Ensemble Music Making in China More » A.V. Mokhort Basics of Orchestral Performance, Methodology Recommendations Rehearsals With Orchestra More » WORKS BY CONTEMPORARY COMPOSERS S.V. Kekova, Y.O. Smoktiy Art as Confession and Preaching: Gogol’s «Echo» in the Choral Work of G.P. Dmitriev More » E.A. Alexandrova, T.D. Bulgakova The Method of Combinatorics as a Modification of the Sonata Principle in the Works of the Chinese Composer Tan Dun More » A.E. Karimova-Zakariyya Genre Basis, Thematic Content and Melodic Language of Vocal Miniatures With an Expanded Cast of S. Ibragimova More » Yu Yalong Iannis Xenakis – «Nomos Alpha»: Interpretation Problems More » BOOKSHELF A. Demchenko Song chronicle of Evgeny Biktashev More » O.S. Barabash "About courage, about valor, about glory ..." The monograph by A.I. Demchenko "Musical chronicle of the war years" (Moscow: RUSAYNS, 2020) More » WHITH A CUP OF TEA L.D. Belenov Save the Leading Positions of the Russian Academy of Music Gnesins in Music Education in Russia Interview with A.S. Ryzhinsky Rector of the Russian Academy of Music Gnesins More » I.G. Razinkova Interview with an Honored Worker Culture of Russia, Teacher of the Central Music School at the Moscow Conservatory, Transcriptor and Composer Vasily Ivanovich Ermakov More » TEACHER’S WORKSHOP N.F. Semenova The Formation of Consciousness of Students of Orchestral Conductors in Institutions for Professional Music Education More » A.N. Pleskonosov The Development of Musical Ear Among First Graders in the Process of Learning to Sight Read More » M.A. Gotsdiner We Play Harmonics. Secrets of Craftsmanship More » M.I. Imkhanitskii Performing-Pedagogical Principles of Activity Andrey Alexandrovich Gorbachev: Connect Balalaika and Concert Tailcoat" More » I.V. Stachinskaya Music for Flute by German composers of the 17th– 18th Centuries: to the Question of Interpretation More » P.U. Deliy Methodological Foundations of the System-Historical Study of the Professional Training of Wind Instrument Performers More » E.A. Klishina From the History of the Department of Folk Instruments (Harmonics) MGIM Named After A. Schnittke: Teachers and Traditions More » T.E. Batagova Grigori Pantijelew: «I Was Thinking About How to Make Lectures About Music Interesting» More » O.A. Blok Musical and Creative Development of Children in the Classes of Instrumentalists of Additional Education Institutions More » B.G. Gnilov, I.D. Nikoltsev Playing the Piano in the Course of Harmony: a Pedagogical Experiment Conducted at the Department of Theory and History of Institute of Military Conductors More » I.D. Nikoltsev The New Simple Counterpoint Worksheet More » Yu.-H. Tan Formation of Performing Actions-Movements as a Pedagogical Condition for the Training of Students-Bayanists More » H.-Y. Zhang Creative Development of Children in the Pipe Class More » O.A. Krishtalyuk In Search of a New Harmony: Towards an Individual Style in the Instrumental Works of Composer Pyotr Dyatlov More » E.G. Novokreschennykh, L.I. Abasheeva The World of Music in the Life and Work of F.M. Dostoevsky More » B.P. Pronin Key Principles of the Formation of the Trombonist’s Performing Apparatus More » FOLKLORISTICS S.Yu. Gutova Timbre and Stylistic Features of the Neo-Folklore Composer Language. Part 1 More » M.A. Shakhmurzova Proletarian Culture as the Main Vector of Development of the National Drama of the Kabardins More » S.Yu. Gutova Timbre and Stylistic Features of the Neo-Folklore Composer Language. Part 2 More » I.G. Israfilova "Shemsi-gemer" peshrov More » V.A. Tsyrkov Folklore – True and False More » A.V. Kosykh On the Parallels in the Religious Music of the Doukhobors and Mennonites More » Î.V. Chernobaeva Musical and Ethnographic Tradition of the Upper Pooch Region: Historiography of the Issue More » A.R. Zhivica, E.A. Kaminskaya Problems of the Actualization of Musical Folklore in the Late XX early XXI Centuries More » ARTISTIC PORTRAIT D.Zh. Zhumabekova, A.E. Zheksembaj Murat Serkebaev – Conductor, Musical and Public Figure (on the Occasion of the 80th Birthday) More » M. Makarova "Rapture Captivated the Sudden Mind" More » E.V. Lokshina The Modern Opera "The Periodic System" as a Reflection of the Shoah Tragedy More » MUSIC IN THEATRE O.A. Privalova Semantic Signs in the Opera «Carmen» G. Bizet More » Alkhateeb Elka, M.L. Zaytceva Opera "Eugene Onegin" by Pyotr Ilyich Tchaikovsky in the Production of the Novaya Opera Theater (1996): Harmonization of the Interaction of the Triad "Conductor – Director – Set Designer" More » COMPETITIONS M.I. Shinkareva Results of the XXXI International Competition of Students’ Research Papers in the Field of Musical Art More » NEW MUSIC L.I. Malysheva On Polar Interconnections in Music: A. Part and G. Ustvolskaya More » A.S. Lokteva Between Paint and Tone: About Color-Sound Parallels in the Art of the XX Century More » A.O. Ibrahimova Interpretation of the Composition Named «Tanrim» («My God») by Ilham Nazarov More » EVENT L. Belyakaeva-Kazanskaya Welcome home, Joanna! Premiere of "The Maid of Orleans" P.I. Tchaikovsky at the Mariinsky Theater More » MUSICAL CULTUROLOGY L.I. Malysheva Pushkin’s Mozart and Salieri as the Cultural Code of the Art of Music More » Le Siyu Specifics of Creation and Performance of Saxophone Works by A. Glazunov More » MUSICAL ARCHAEOLOGY N.B. Seliverstova The Formation of Dramatic Symphonism in the Early Work of Joseph Haydn More » IN MEMORIAM D.ZH. ZHumabekova, M.B. Kapeu-Kohanova Joseph Kogan – violinist from Kazakhstan (to the 100th anniversary of his birth) More »