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Music and Time

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Tenor as a Singing Technique in Different Musical Ages
Huang Yanghua

The presented work examines the aspects of staging such a kind of singing voice as the tenor, the use of which has been relevant at all times of musical spirituality. The proposed work is especially interesting for novice teachers in the music field, as it is a theoretical basis for teaching vocal. Such teachers should have a clear understanding of the historical origins and ontogeny of singing with various timbres of voice, including the tenor. That is why this article is based on the chronological sequence of the development of musical and historical eras with the demonstration of famous tenors. The result of the above examples of the use of singing by tenors in different musical times is the author’s opinion on the development of a high male timbre of voice in singing, which allows combining different time periods of eras with a single goal, and also gives the article a certain interest, which is so necessary for the reader.
Keywords: tenor, countertenor, Gregorian singing, evolution, male singing, music, musical art.

Pp. 43-46.

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