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Music and Time

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Concerto for Saxophone-Viola in the Works of A.K. Glazunov: Experience in Textual Analysis
B.G. Gnilov, R.N. Sazonenko, M.L. Novikova

Glazunov was one of the last representatives of Russian classical music of the late XIX-early XX centuries and one of the first builders of Soviet musical culture. Glazunov’s creative heritage is extensive. The main place in it is occupied by instrumental music, primarily symphonic, to which the composer gravitated from an early age. In the center of the article is a concerto for saxophoneviola and orchestra. Genre features and features of the concert are reflected in the composition of the author. The paper reviewed the general views on the main qualities of the genre specifics of the concert. A more objective vision of the general structure of the music of instrumental concerts and the logic of the evolution of the concert is approved, based on the summation and generalization of the general meaning and compositional and technical content. The concerto for saxophone-viola and string orchestra has a single-movement structure and is written in the form of a rondo sonata. The rondo-sonata form, adopted as the basis, appears in its divertimenti function. In conclusion, comparing the logic of the creative evolution of A.K. Glazunov, the authors come to the point of view, according to which the appeal, the interest of this musician to the saxophone, a musical instrument largely exotic, having in some sense a dual, contradictory reputation, just appears as the desired sign of the phenomenon of late style that interests us.
Keywords: Alexander Glazunov, concerto for saxophone-viola and string orchestra, genre concert, late style.

Pp. 33-38.

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