Music and Time Annotation << Back Symbolism and Imagery of Affective Structures in the Design of the Circassian (Adyghe) Musical Picture of the World A.V. Gucheva The article summarizes and analyzes the basic principles and patterns of structuring a closed system of myth as a theogonic process and a single coordinate system in space and time. The transdiscursive intuition of a person is considered, which made it possible to display the unique moment of the creation of the «Deity-Man», which allowed him to receive divine-sacred power to influence nature and its elements, forming the ideological, psychological and mental world order, including the laws of interaction between a person and the world of patron deities during hunting with the help of kalogatic elements, music, words, etc. It is the problem of the power of man over the forces of nature that has become for us the main philosophical problem of the interaction of man and the world of deities, and music, dance, and the word participated in its solution. It is analyzed how out of the silence and the mystery of chaos, man was able to artificially create a «Deity-Man» from music, dance and words, thereby learning to create, establish power over the «sacred», act as a deity and manage and repair not only the world of deities, but also by connecting certain sacred forces to return to the human world again. Keywords: musical picture of the world, myth, music, «Deity-Man», Pshchymezyth’e, deity, Circassians, Adygs. Pp. 23-30.