HISTORY |
D.S. Zhivov |
Musical. Historical analysis of the formation of the genre
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A.V. Karbovskaya, V.F. Karbovsky |
The unknown author of the famous romances
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T.V. Kartashova, V.D. Kartashov |
Chhaya natak, or South Asian Shadow Theater in Aspect Synthesis of Arts
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A.V. Bulycheva |
‘Partes’ Concertos by Kolpensky: What Kind of Music was the Favorite in 18th Century?
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O.I. Abramov |
Brass – quintet. Some historical notes to history of formation and development of a genre brass-quintet
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E.A. Soboleva |
Astrakhan Union of composers – from the Commonwealth to the school
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G.A. Baymukhametova |
Taras Shevchenko National Opera and Ballet Theatre during the evacuation in Ufa (1941–1942)
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A.A. Vasilenko |
At the origins of creativity: Concerto for violin and orchestra by B. Britten
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A.N. Lipov |
RANDAL DAVIS « ... we need not fear ... » – Expressivity & Silence in the Early Work of John Cage â. Analecta Husserliana: The Aesthetic Discourse of the Arts. 2000. P. 241–250
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T.E. Kalashnikova |
A consummate virtuoso
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N.A. Solomonova |
Memory of Military Glory
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V.O. Petrov |
The life of the piano duet in the twentieth century: the main features of the genre
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E.A. Soboleva |
Musical culture of Astrakhan by the beginning of the XX century
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M.A. Gotsdiner |
Performance as a sacrament
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T.E. Batagova |
Farizet Gilels-Khutsistova: she was one of the first professional Ossetian musicians
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Ì.À. Êàsimova |
Azerbaijan State Orchestra of Folk Instruments in the Context of Sociocultural Modernization Processes
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A.N. Lipov |
Jael Kraut John Cage and a hoax of musical silence. From silence to silence. Music and philosophy in the twentieth century. Amsterdam. 2010. Volume V. Ç. 102–117
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A.I. Demchenko |
About One of the Hypostases of Beethoven’s Epic to the 250th Anniversary of the Composer’s Birth
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M.A. Moiseeva |
The Iberian Organ in the New World
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V.I. Chernyshov |
Fifth Piano Concerto by Sergei Prokofiev: an Unsuccessful Creative Experiment or an Underrated Masterpiece?
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THEORY |
A.V. Nikulina |
The third movement of L. Berio’s Sinfonia in the aspect of hidden polyphony of the novel by S. Beckett «The Unnamable»
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Lian Yicen |
European in Traditional Chinese Flute
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P.A. Belik |
Little tragedies A.S. Pushkin’s sound Russian folk orchestra
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I.A. Koshcheeva |
About the Reflection of the Composers
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A.S. Konivets |
«Poem in memory of D.D. Shostakovich»: a famous domrist about the great symphonist in the language of music
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E.P. Prokopyeva |
N.A. Rimsky-Korsakov and realism: to the problem of the composer’s creative method
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A.V. Nikulina |
Verbal leitmotifs from the book by C. Levi-Strauss «The Raw and the Cooked» as the basis of musical-verbal composition in the first and fifth movements of «Sinfonia» by L. Berio. Part I
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E.O. Tchernova |
About some principles of composition of Peter Maxwell Davies
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V.V. Zhalnin |
Chance music in the late works of D. Millaud
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S.M. Kolbasova |
The influence of serialism on musical thinking of Messiaen’s last works
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A.V. Nikulina |
Verbal leitmotifs from the book by C. Levi-Strauss «The Raw and the Cooked» as the basis of musical-verbal composition in the first and fifth movements of «Sinfonia» by L. Berio. Part II
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V.A. Fedorova |
The practice of performing vocal music of the Renaissance in the 21st century: the search of genuine sound
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I.A. Koshcheeva |
The sound image of piano in music of domestic composers of the second half of the XX century (on the example of piano sonates)
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L.V. Nikitina |
"Small Requiem for Father Malachi Lynch" by John Tavener: Composition and Style
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I.G. Razinkova |
Realization of the Genre of Romance in Vocal and Instrumental Creativity (Based on the Music of S.V. Rachmaninov)
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N.E. Bayramalibeyli |
On the issue of national specifics in the texture of the opera "Layli and Majnun" by Uzeyir Hajibeyli
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PERFORMING ART |
M.L. Zaytceva, R.R. Budagyan |
Elements of digitalization in modern violin rock performance
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Z.Eh. Aliyeva |
The problem of performing style in modern violin art
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I.I. Nazarov |
Properties of interpretation of U. Hajibeyli's romances performed by Muslim Magomaev
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S.G. Filippova |
The role of the artistic Director in the interpretation of folk songs and authors works of the Nothern choir
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Chzhen Lisha |
From the history of Russian-Chinese cultural connections development
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R.R. Budagyan, E.E. Nagoryanskaya |
Modern music direction classical crossover in instrumental performing arts (on the example of the creativity of the group "Simply Three")
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S.Ya. Vartanov |
Wagner & Liszt – Tristan & Beyreut
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P.V. Rokitskaya |
The art of Piano Transcription for one Hand
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N.Sh. Zeynalova |
New Tendencies Emerged in the Process of Scientific Researches in Azerbaijani Piano Performance
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S.Ya. Vartanov |
Wagner-Liszt: Isolden’s Liebes-Tod – Interpretation Concept
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M.I. Imkhanitskii |
About New Systematization Principles Musical Instruments
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N.N. Nekrasov |
Performing intellectualism in the context of the interpretation of music of the second half of the 20th century
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O.Yu. Kijowski |
Features of the Temperament of the Organs of Northern Germany XVII–XVIII Centuries and Works in Modis Fuctis
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I.A. Melikhov |
Rhythm of the nature in Nebojsa Zivkovic’s music: TAK-NARA for percussion quartet op. 36 (2009)
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Cao Yu |
Analysis of Performing Techniques and Techniques When Playing the Classical Saxophone: the Use of Breathing and Fingering
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S.A. Konovalova, O.N. Golovin |
«Vocal reception "Mikst" in pop-jazz singing»
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A.V. Ustugova |
Gudochnaya Musical Terminology Based on Materials From Russian Written Monuments of the XIII–XIX Centuries
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FOLKLORISTICS |
I.V. Korolkova |
The performance of lamentation: personal touches and interpretations
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P.M. Akhundova-Talibli |
Eastern thinking in the context of the synergetic paradigm
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A.V. Zvonov |
Integration of russian folk song traditions in the military vocal art of the xix century and comparative analysis of the form, melody, and applied role of folk and military songsintegration of russian folk song traditions in the military vocal art of the XIX century and comparative analysis of the form, melody, and applied role of folk and military songs
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H.S. Farajeva-Jabarova |
The manifestation of the conceptual sphere of dastan in creativity composers of Azerbaijan
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L.R. Zokhrabova |
The historical stages of the development of Azerbaijani folk songs
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WORKS BY CONTEMPORARY COMPOSERS |
I.A. Subbotin |
Stylistic allusion in the music of a Saratov composer Elena Gokhman
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K.S. Shumilov |
Musical-band «Don Juan» by Alexander Gilev – a new stage in the development of Russian brass music
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L. Rodionova |
Tien Shan
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E.N. Denisova |
Romantic of our time. Roman Ledenev
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Neverova M. |
This must be heard!
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V.B. Khoroshavina |
Languages of culture as a component of national stylistics in the «Jewish Antiquities» by N. Sidelnikov
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D.M. Shoniyozova |
Opera "Prose" By V. Rannev: modern trends of the Opera theatre
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E.N. Denisova |
Neo-romanticism in the music of the late twentieth century. Concert – Elegy for Cello and Orchestra by Roman Ledenev
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A.L. Chernyaeva |
Yury Vorontsov: «Pastoral» for Symphony Orchestra
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M. Makarova |
"Hail Mary!"
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A. Mirzoev |
Motet "Ave, Maria, Gratia Plena" for Voice and Organ, op. 35
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U.S. Ashurbekova |
Semantic Aspects of Azerbaijani Composer Aydin Azimov’s Creative Works
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E.N. Denisova |
Roman Ledenev. Movement Deep Into the Meaning
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ART-MANAGEMENT AND MUSIC PRODUCTION |
D.G. Rodionova |
To the definition of concepts "Art management", "Music management"
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ANNIVERSARIES |
M. Milovkina |
Conversation with the hero of the day Evgeny Borisovich Trembovelsky
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A.E. Zheksembay |
Uyalbay Nusupov and State chamber orchestra of Kazakh radio and television (to the 55th anniversary of its founding)
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B.B. Turbyanov, E.G. Novokreschennykh |
In 2021, the Tchaikovsky College of art, one of the leading creative educational institutions in Buryatia, celebrates its 90th anniversary!
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Yu.M. Thagazitov |
Peculiarities of the Poetic Text of Ali Shogentsukov in the First National Opera «Kyzburun» (to the 120th Birthday Anniversary)
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I.V. Sergeeva |
Elena Gokhman: ministry to music and hometown. Dialogues with Aleksandr Ivanovich Demchenko
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TEACHER’S WORKSHOP |
P.U. Deliy |
Competence-based approach in the modern music University of Russia
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S.A. Konovalova, O.O. Aksarina |
Features of arrangements of modern pop music of the XXI century
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A.P. Kazachenkov |
Teaching tradition tuba art at the Russian Academy Gnesins music
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O.A. Blok |
Composition as a pedagogical condition for the advanced musical and creative development of learning children in instrumental classes
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V.I. Adishchev |
Olga Apraksina: Becoming a Musician and a Teacher
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A.N. Pleskonosov |
Development of perception of simultaneous musical piece’s image in first year music school pupils
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A.N. Butenko, O.V. Sklyarova |
The voice – is as the path of the human soul: To the problem of creative formation of an opera performer
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O.A. Blok |
To the question of the formation of the aesthetic taste of students musicians in instrumental classes
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R.N. Slonimskaya |
University multimedia resource “Stories of Russian music”
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I.E. Mikhailov |
Rustle of Music Pages: Creative in the Chamber Space
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B.G. Gnilov, M.L. Novikova |
Teaching Elementary Harmony to Adults from the Ground Up
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ARTISTIC PORTRAIT |
A.P. Panov |
Dmitry Kitaenko (Experience in artistic research)
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L.V. Romodina, V.V. Osipov |
Vladimir Rubin. About Music and About Yourself
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S.Yu. Potapova |
Songs about war as part of Joseph Kobzon’s creative heritage
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V.A. Esakov, V.V. Kondakov |
Great Master of Accordion Art
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I.N. Karacharov |
The Musical Culture of the Belgorod Region in Personalities: Ivan Grigorievich Trunov – Choirmaster, Teacher, Enlightener
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NEW MUSIC |
N.V. Klimova |
Between Avant-Garde and Tradition. Infernale for Violin and Piano A. Izosimova
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A.V. Korotina |
Nikolay Sidelnikov’s «Labyrinths» – the Search for a Compromise Between the Old and the New
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A.I. Demchenko |
Opus posth. To the 85th anniversary of Alfred Schnittke
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G.J. Margolina |
Russian harmony in music of the XX century: to the problem of national specificity
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MUSICAL CULTUROLOGY |
I.V. Semeriaga |
To the question of instrumental music of the Middle Ages
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A.V. Bobneva |
The individuality of the style of the modern national composer in the context of the problem of alter-globalization (on the example of the Second Concerto for violin and orchestra of M. Kasumov)
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I.D. Medrish, L.V. Gnatjuk |
Peculiarities of the plot of Robert Schumann’s oratorio «Paradise and the Peri»
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Huo Xiaocen |
The Evolution of Chinese Opera and its Opposition to Western Opera Tradition
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TEACHER'S WORKSHOP |
MUSIC IN THEATRE |
O.A. Privalova |
Prototypes of the main heroine of the opera “Carmen” by G. Bizet
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A.V. Lazanchina |
Ballets to the music of D.D. Shostakovich on the stage of the Samara Academic Opera and Ballet House
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V.A. Tsyrkov |
Music by Chekhov’s "The Seagull"
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O.A. Privalova |
Karmic Signs in the Image of the Main Character of the Opera «Carmen» G. Bizet
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COMPETITIONS |
A.A. Buchnev |
Results of the III All-Russian competition of soloists and ensembles on wind and percussion instruments "Virtuosos of the Black Earth Region" and development prospects instrumental performance
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M.I. Shinkareva |
Results of the XXX International Competition Student Research in Musical Art – 2020
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BOOKSHELF |
L. Vishnevskaya |
About the Book by A.I. Demchenko “Picture of the World in Musical art Russia at the Beginning of the XX Century "
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V.N. Yunusova |
Review of T.E. Batagova "Musical art of Ossetia of the XX–XXI centuries: 50 portraits of composers "
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