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Music and Time

Index of articles published in the journals "Music and Time" in 2020.

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HISTORY
D.S. Zhivov Musical. Historical analysis of the formation of the genre

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A.V. Karbovskaya, V.F. Karbovsky The unknown author of the famous romances

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T.V. Kartashova, V.D. Kartashov Chhaya natak, or South Asian Shadow Theater in Aspect Synthesis of Arts

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A.V. Bulycheva ‘Partes’ Concertos by Kolpensky: What Kind of Music was the Favorite in 18th Century?

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O.I. Abramov Brass – quintet. Some historical notes to history of formation and development of a genre brass-quintet

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E.A. Soboleva Astrakhan Union of composers – from the Commonwealth to the school

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G.A. Baymukhametova Taras Shevchenko National Opera and Ballet Theatre during the evacuation in Ufa (1941–1942)

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A.A. Vasilenko At the origins of creativity: Concerto for violin and orchestra by B. Britten

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A.N. Lipov RANDAL DAVIS « ... we need not fear ... » – Expressivity & Silence in the Early Work of John Cage â. Analecta Husserliana: The Aesthetic Discourse of the Arts. 2000. P. 241–250

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T.E. Kalashnikova A consummate virtuoso

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N.A. Solomonova Memory of Military Glory

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V.O. Petrov The life of the piano duet in the twentieth century: the main features of the genre

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E.A. Soboleva Musical culture of Astrakhan by the beginning of the XX century

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M.A. Gotsdiner Performance as a sacrament

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T.E. Batagova Farizet Gilels-Khutsistova: she was one of the first professional Ossetian musicians

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Ì.À. Êàsimova Azerbaijan State Orchestra of Folk Instruments in the Context of Sociocultural Modernization Processes

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A.N. Lipov Jael Kraut John Cage and a hoax of musical silence. From silence to silence. Music and philosophy in the twentieth century. Amsterdam. 2010. Volume V. Ç. 102–117

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A.I. Demchenko About One of the Hypostases of Beethoven’s Epic to the 250th Anniversary of the Composer’s Birth

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M.A. Moiseeva The Iberian Organ in the New World

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V.I. Chernyshov Fifth Piano Concerto by Sergei Prokofiev: an Unsuccessful Creative Experiment or an Underrated Masterpiece?

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THEORY
A.V. Nikulina The third movement of L. Berio’s Sinfonia in the aspect of hidden polyphony of the novel by S. Beckett «The Unnamable»

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Lian Yicen European in Traditional Chinese Flute

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P.A. Belik Little tragedies A.S. Pushkin’s sound Russian folk orchestra

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I.A. Koshcheeva About the Reflection of the Composers

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A.S. Konivets «Poem in memory of D.D. Shostakovich»: a famous domrist about the great symphonist in the language of music

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E.P. Prokopyeva N.A. Rimsky-Korsakov and realism: to the problem of the composer’s creative method

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A.V. Nikulina Verbal leitmotifs from the book by C. Levi-Strauss «The Raw and the Cooked» as the basis of musical-verbal composition in the first and fifth movements of «Sinfonia» by L. Berio. Part I

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E.O. Tchernova About some principles of composition of Peter Maxwell Davies

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V.V. Zhalnin Chance music in the late works of D. Millaud

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S.M. Kolbasova The influence of serialism on musical thinking of Messiaen’s last works

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A.V. Nikulina Verbal leitmotifs from the book by C. Levi-Strauss «The Raw and the Cooked» as the basis of musical-verbal composition in the first and fifth movements of «Sinfonia» by L. Berio. Part II

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V.A. Fedorova The practice of performing vocal music of the Renaissance in the 21st century: the search of genuine sound

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I.A. Koshcheeva The sound image of piano in music of domestic composers of the second half of the XX century (on the example of piano sonates)

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L.V. Nikitina "Small Requiem for Father Malachi Lynch" by John Tavener: Composition and Style

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I.G. Razinkova Realization of the Genre of Romance in Vocal and Instrumental Creativity (Based on the Music of S.V. Rachmaninov)

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N.E. Bayramalibeyli On the issue of national specifics in the texture of the opera "Layli and Majnun" by Uzeyir Hajibeyli

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PERFORMING ART
M.L. Zaytceva, R.R. Budagyan Elements of digitalization in modern violin rock performance

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Z.Eh. Aliyeva The problem of performing style in modern violin art

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I.I. Nazarov Properties of interpretation of U. Hajibeyli's romances performed by Muslim Magomaev

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S.G. Filippova The role of the artistic Director in the interpretation of folk songs and authors works of the Nothern choir

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Chzhen Lisha From the history of Russian-Chinese cultural connections development

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R.R. Budagyan, E.E. Nagoryanskaya Modern music direction classical crossover in instrumental performing arts (on the example of the creativity of the group "Simply Three")

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S.Ya. Vartanov Wagner & Liszt – Tristan & Beyreut

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P.V. Rokitskaya The art of Piano Transcription for one Hand

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N.Sh. Zeynalova New Tendencies Emerged in the Process of Scientific Researches in Azerbaijani Piano Performance

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S.Ya. Vartanov Wagner-Liszt: Isolden’s Liebes-Tod – Interpretation Concept

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M.I. Imkhanitskii About New Systematization Principles Musical Instruments

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N.N. Nekrasov Performing intellectualism in the context of the interpretation of music of the second half of the 20th century

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O.Yu. Kijowski Features of the Temperament of the Organs of Northern Germany XVII–XVIII Centuries and Works in Modis Fuctis

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I.A. Melikhov Rhythm of the nature in Nebojsa Zivkovic’s music: TAK-NARA for percussion quartet op. 36 (2009)

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Cao Yu Analysis of Performing Techniques and Techniques When Playing the Classical Saxophone: the Use of Breathing and Fingering

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S.A. Konovalova, O.N. Golovin «Vocal reception "Mikst" in pop-jazz singing»

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A.V. Ustugova Gudochnaya Musical Terminology Based on Materials From Russian Written Monuments of the XIII–XIX Centuries

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FOLKLORISTICS
I.V. Korolkova The performance of lamentation: personal touches and interpretations

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P.M. Akhundova-Talibli Eastern thinking in the context of the synergetic paradigm

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A.V. Zvonov Integration of russian folk song traditions in the military vocal art of the xix century and comparative analysis of the form, melody, and applied role of folk and military songsintegration of russian folk song traditions in the military vocal art of the XIX century and comparative analysis of the form, melody, and applied role of folk and military songs

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H.S. Farajeva-Jabarova The manifestation of the conceptual sphere of dastan in creativity composers of Azerbaijan

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L.R. Zokhrabova The historical stages of the development of Azerbaijani folk songs

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WORKS BY CONTEMPORARY COMPOSERS
I.A. Subbotin Stylistic allusion in the music of a Saratov composer Elena Gokhman

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K.S. Shumilov Musical-band «Don Juan» by Alexander Gilev – a new stage in the development of Russian brass music

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L. Rodionova Tien Shan

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E.N. Denisova Romantic of our time. Roman Ledenev

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Neverova M. This must be heard!

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V.B. Khoroshavina Languages of culture as a component of national stylistics in the «Jewish Antiquities» by N. Sidelnikov

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D.M. Shoniyozova Opera "Prose" By V. Rannev: modern trends of the Opera theatre

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E.N. Denisova Neo-romanticism in the music of the late twentieth century. Concert – Elegy for Cello and Orchestra by Roman Ledenev

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A.L. Chernyaeva Yury Vorontsov: «Pastoral» for Symphony Orchestra

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M. Makarova "Hail Mary!"

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A. Mirzoev Motet "Ave, Maria, Gratia Plena" for Voice and Organ, op. 35

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U.S. Ashurbekova Semantic Aspects of Azerbaijani Composer Aydin Azimov’s Creative Works

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E.N. Denisova Roman Ledenev. Movement Deep Into the Meaning

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ART-MANAGEMENT AND MUSIC PRODUCTION
D.G. Rodionova To the definition of concepts "Art management", "Music management"

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ANNIVERSARIES
M. Milovkina Conversation with the hero of the day Evgeny Borisovich Trembovelsky

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A.E. Zheksembay Uyalbay Nusupov and State chamber orchestra of Kazakh radio and television (to the 55th anniversary of its founding)

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B.B. Turbyanov, E.G. Novokreschennykh In 2021, the Tchaikovsky College of art, one of the leading creative educational institutions in Buryatia, celebrates its 90th anniversary!

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Yu.M. Thagazitov Peculiarities of the Poetic Text of Ali Shogentsukov in the First National Opera «Kyzburun» (to the 120th Birthday Anniversary)

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I.V. Sergeeva Elena Gokhman: ministry to music and hometown. Dialogues with Aleksandr Ivanovich Demchenko

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TEACHER’S WORKSHOP
P.U. Deliy Competence-based approach in the modern music University of Russia

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S.A. Konovalova, O.O. Aksarina Features of arrangements of modern pop music of the XXI century

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A.P. Kazachenkov Teaching tradition tuba art at the Russian Academy Gnesins music

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O.A. Blok Composition as a pedagogical condition for the advanced musical and creative development of learning children in instrumental classes

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V.I. Adishchev Olga Apraksina: Becoming a Musician and a Teacher

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A.N. Pleskonosov Development of perception of simultaneous musical piece’s image in first year music school pupils

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A.N. Butenko, O.V. Sklyarova The voice – is as the path of the human soul: To the problem of creative formation of an opera performer

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O.A. Blok To the question of the formation of the aesthetic taste of students musicians in instrumental classes

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R.N. Slonimskaya University multimedia resource “Stories of Russian music”

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I.E. Mikhailov Rustle of Music Pages: Creative in the Chamber Space

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B.G. Gnilov, M.L. Novikova Teaching Elementary Harmony to Adults from the Ground Up

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ARTISTIC PORTRAIT
A.P. Panov Dmitry Kitaenko (Experience in artistic research)

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L.V. Romodina, V.V. Osipov Vladimir Rubin. About Music and About Yourself

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S.Yu. Potapova Songs about war as part of Joseph Kobzon’s creative heritage

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V.A. Esakov, V.V. Kondakov Great Master of Accordion Art

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I.N. Karacharov The Musical Culture of the Belgorod Region in Personalities: Ivan Grigorievich Trunov – Choirmaster, Teacher, Enlightener

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NEW MUSIC
N.V. Klimova Between Avant-Garde and Tradition. Infernale for Violin and Piano A. Izosimova

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A.V. Korotina Nikolay Sidelnikov’s «Labyrinths» – the Search for a Compromise Between the Old and the New

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A.I. Demchenko Opus posth. To the 85th anniversary of Alfred Schnittke

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G.J. Margolina Russian harmony in music of the XX century: to the problem of national specificity

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MUSICAL CULTUROLOGY
I.V. Semeriaga To the question of instrumental music of the Middle Ages

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A.V. Bobneva The individuality of the style of the modern national composer in the context of the problem of alter-globalization (on the example of the Second Concerto for violin and orchestra of M. Kasumov)

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I.D. Medrish, L.V. Gnatjuk Peculiarities of the plot of Robert Schumann’s oratorio «Paradise and the Peri»

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Huo Xiaocen The Evolution of Chinese Opera and its Opposition to Western Opera Tradition

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TEACHER'S WORKSHOP
MUSIC IN THEATRE
O.A. Privalova Prototypes of the main heroine of the opera “Carmen” by G. Bizet

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A.V. Lazanchina Ballets to the music of D.D. Shostakovich on the stage of the Samara Academic Opera and Ballet House

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V.A. Tsyrkov Music by Chekhov’s "The Seagull"

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O.A. Privalova Karmic Signs in the Image of the Main Character of the Opera «Carmen» G. Bizet

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COMPETITIONS
A.A. Buchnev Results of the III All-Russian competition of soloists and ensembles on wind and percussion instruments "Virtuosos of the Black Earth Region" and development prospects instrumental performance

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M.I. Shinkareva Results of the XXX International Competition Student Research in Musical Art – 2020

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BOOKSHELF
L. Vishnevskaya About the Book by A.I. Demchenko “Picture of the World in Musical art Russia at the Beginning of the XX Century "

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V.N. Yunusova Review of T.E. Batagova "Musical art of Ossetia of the XX–XXI centuries: 50 portraits of composers "

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 Journals
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Instruments and Systems: Monitoring, Control, and Diagnostics
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Instrument-Making and Automation Means. Encyclopedic Textbook
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Engineering Physics
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History of Science and Engineering
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Music and Time
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Note Album
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