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Music and Time

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The sound image of piano in music of domestic composers of the second half of the XX century (on the example of piano sonates)
I.A. Koshcheeva

The article deals with new possibilities of pianoforte opened by Russian composers of the second half of the 20th century, which as a result of searching for new timbre-acoustic sonorities of the instrument, as well as under the influence of sonoriki, significantly changed its sound appearance. Sources of new discoveries in the field of the instrument’s colorful sound are, on the one hand, the composers' search for new coloristic possibilities in the field of harmony, sonorics and texture, as well as in the field of expanding the timbre-acoustic potential of the piano. On the other hand, the use by performers of new methods of sound production and new timbre effects to achieve special expressiveness of sound, and to identify new sound-phonological features of the instrument.
Keywords: non-traditional methods of sound extraction on the pianoforte; sonoric; extended interpretation of piano, reinforced piano, microchromatic pianoforte.

Pp. 07-11.

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