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Music and Time

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The problem of performing style in modern violin art
Z.Eh. Aliyeva

This article is devoted to the problems of performing style in modern violin art. The 20-th century went down in the history of musical culture as the time of the breakdown of the artistic system and the conscious search for new forms in art. This time is marked by experiments and discoveries in the field of means of expression. Changes in the intonation thesaurus, experiments with sound could not but touch the violin music, composers are trying to make their own corrections, semantic accents in the interpretation of the instrument. Modern violin music is replete with original finds and experiments in the field of instrumental techniques and performing means of expression. Innovations determine not only the development by performers of new game techniques and methods of sound extraction, but also a new look at traditional methods, as well as the search for original timbre-acoustic methods. This circumstance gives special value to their understanding by scientific and performing practice, since it is the quality of the violin sound that underlies the modern composer opus and its acoustic equivalent.
Keywords: violin art, performing style, violin sound, sound production, violin music.

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Pp. 43-46.

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