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«Vocal reception "Mikst" in pop-jazz singing»
S.A. Konovalova, O.N. Golovin

The relevance of this article is due to the huge number of discrepancies in the definition and application of this vocal technique in singing and teaching pop and jazz vocals in Russia. The article substantiates the meaning of this term in connection with its translation, as well as the description of this vocal technique in application to pop and jazz singing, both on the basis of the definition of this technique, and on the basis of physiological sensations and data of the human vocal apparatus when singing. The article presents practical exercises aimed at setting up singing using the «Mixet» method. The article is intended for teachers of pop and jazz vocals, as well as students of pop vocal art.
Keywords: mikst, pop-jazz vocals, vocal technique, voice apparatus, variety techniques.

Pp. 28-30.

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