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Music and Time

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Modern music direction classical crossover in instrumental performing arts (on the example of the creativity of the group "Simply Three")
R.R. Budagyan, E.E. Nagoryanskaya

In this article, the authors analyzed the main features of the manifestation of the musical direction of classical crossover in modern instrumental performing art using the example of the group "Simply Three". It was determined that the main goals of the musicians' activities within the classical crossover trend are to expand the boundaries of academic instrumental performing art, introduce masterpieces of world musical culture by transforming its samples into the everyday life of a mass audience, maximize the concentration of the best compositions of the pop and rock industries in their work, visualization his performances to actualize them in the circles of a mass audience, as well as a synthesis of the polar directions of musical culture for Ania unique innovative highly professional product. The aim of the article is to analyze the main features of the manifestation of the musical direction of classical crossover in modern performing art on the example of the work of the group "Simply Three".
Keywords: classical crossover, contemporary performing arts, "Simply Three", a synthesis of academic musical culture and modern mass.

Pp. 17-21.

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