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Music and Time

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Yury Vorontsov: «Pastoral» for Symphony Orchestra
A.L. Chernyaeva

The article considers a symphony orchestra piece named «Pastoral» by Yury Vorontsov, a composer from Moscow. Vorontsov, the author of a considerable number of music ouvres in various genres, have been particularly prolific in the domain of symphonic music. The piece of music written in 2003 and entitled «Pastoral» is of particular interest among his orchestral opuses. As for this piece, the author’s approach to the process of entitling lies within the framework of conceptualism. The article focuses mainly on the composer’s individual approach to the interpretation of image-expression and semantics of the pastoral genre in the scope of current post-modernism state. The reconstruction of genre is based on associative communication with the mode of pastoral. Thus, the genre-stylistic model of Vorontsov’s «Pastoral» comes to be an individual project, with the order of such parameters as time and space being characterized by its multifunctionality. The national flavor of this music, which is ment to be dedicated to Russia, fills the piece with patriotic ethos.
Keywords: Yury Vorontsov, symphonic pieces, «Pastoral», title, the genre of pastoral, Russia, Russian plaintive song, meditativeness, musical space, time.

Pp. 38-42.

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