| HISTORY |
| I.M. Romashchuk |
Touches to the Portrait of M.M. Ippolitov-Ivanov
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| O.A. Ivanova |
Calendar Rites of the Russian Villages of the Volga Delta
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| A.B. Rzayeva |
Style Trends of Azerbaijani Violin Music of the 20th Century
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| B.G. Gnilov, M.L. Novikova |
Horst Jankowski is a Star Phenomenon in the Musical Art of the German Democratic Republic
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| A.I. Demchenko |
Igor Stravinsky and Sergei Prokofiev: Different Destinies Under the Patronage of Sergei Diaghilev
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| A.Kh. Asadova |
Characteristics of the Spread of Religious-Philosophical Sufism Processes in Turkey
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| N.D. Sviridovskaya |
Bocklin’s Trace in Rachmaninoff’s Work
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| N.Kh .Teymurova |
National Music of Azerbaijan in the Context of Turkish Musical Culture
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| V.O. Petrov |
Dmitry Shostakovich’s Piano Duets in the Context of the Development of the Genre in the Twentieth Century
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| T.V. Kartashova, A.V. Novoselova |
The Category of Sound and Music in Traditional Musical Terminology India and China
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| R.A. Amrakhov |
Piano Trio in the Work of Azerbaijani Composers in the 20–80s of the XX Century
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| L. Belyakaeva-Kazanskaya |
"The Firstborn of Pianism, the Discoverer of Culture: Isai Mikhailovich Renzin". To the 100th Anniversary of the Philharmonic and the 160th Anniversary of the Conservatory
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| N.A. Ladyzhnikov |
Transformations of the Military-Musician Service of the Russian Army During the Reforms of D.A. Milyutin 1860–1880
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| B.G. Gnilov, M.L. Novikova, I.D. Nikoltsev |
S. Rachmaninov. Creative Calm
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| E.O. Andreyko |
A look at the Singing Breath in the Context of the Historical Development of the Ltalian, French and German Vocal Schools
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| L.J. Jumayeva |
Leitmotiv and Leitmotional System in Opera Art
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| T.V. Kartashova, V.D. Kartashov |
Musical Culture of South Asia: Music and Painting in Oncoming Traffic
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| P.L. Ovchinnikov, M.L. Zaytceva |
Trends in the Development of the Moscow Jazz School in the Period of the 1970s–1980s
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| V.I. Yudina |
Pavel Ivanovich Yakushkin in the History of Russian Musical Ethnography (to the 200th Anniversary of the Folklorist)
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| A.R. Yanchishina |
Joseph Szigeti – Columbus of Violin Repertoire
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| A.I. Demchenko |
Imaginative Worlds of Beethoven's
Piano Music
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| E.L. Yakovleva |
Kazan Cloth Settlement
and Fyodor Ivanovich Chaliapin.
To the 150th Anniversary of the Birth
of the Russian Bass
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| A.N. Lipov |
Sabine M. Feisst John Cage
and Improvisation – An Unresolved Relationship
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| A.S. Stepanova |
Unknown Manuscripts of N. Ozerov
from the Library of the Church of the Icon
of the Mother of God «The Sign»
in Pereyaslavskaya Sloboda
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| IN MEMORIAM |
| A.S. Stepanova |
Native Souls: D.N. Smirnov and W. Blake (in Memory of D.N. Smirnov)
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| A.O. Ibrahimova |
An Outstanding Scientist-Musician who Left a Bright Mark in the History of the Musical Culture of Azerbaijan. Dedicated to the Prominent Artist Tarlan Seyidov
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| TEACHER’S WORKSHOP |
| T.B. Sukhanova |
"Advice to a Beginner to Play the Violin" by A.F. Lvov in the Context of the Musical Aesthetics of the Time
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| V.N. Manuilov, V.O. Osinsky, M.S. Gvozdova |
Evolution of the Tuba as an Orchestral Instrument
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| D.E. Lokotyanova |
The Methodological Aspects of Teaching «Solfeggio» at the University
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| S.A. Tyaglova, V.A. Galimovà |
The Development of Musical Ear in Children in Sunday School
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| V.A. Pronina |
Formation and Development of Performing Abilities and Skills of a Harpist in the Process of Distance Learning
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| V.I. Adishchev, P.P. Ostanin |
The Yakut Project "Music for All" in the Context of the His-Torical Development of Russian Music Education
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| E.V. Babicheva |
Actor’s Interpretation of S.V. Rachmaninov’s Piano Music in Specific Acts of Stage Action
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| E.G. Novokreschennykh, L.I. Abasheeva |
Voice of the Motherland in the Works of Poets and Composers of Buryatia
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| A.V. Ustugova |
Pages of the Pedagogical Activity of Alexander Konstantinovich Glazunov (1899–1928)
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| E.A. Ponochovnaya |
The Practice of Using Distance Educational Technologies in Online Teaching Vocal
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| E.V. Akhmedieva |
The Significance and Need of Musical Art in the System of Moral and Aesthetic Education of Children
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| Liu Aoliang |
The Process of Becoming a Professional Violinist Within the Systems of Continuous Education in China: the Level of Quality, Current Problems, Ways of Development and Transformation
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| PERFORMING ART |
| D.S. Dmitrienko, N.L. Dmitrienko |
Sonata for Domra and Bayan by Ekaterina Anisimova. Integration of Academism and Innovation
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| N.V. Medvedeva |
Features of Accompanist Art in the Works of N.Ya. Myaskovsky on the Example of the Suite for Voice and Piano "Madrigal"
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| M.V. Filippov, D.A. Petrova, S.A. Glavatskih |
Trio for Flute, Cello and Piano by K.M. Weber: Methodical Recommendations for Working on the Piano Part in the Context of Performance Analysis
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| À.K. Alekberov |
Mugham Styles in Solo Tar Performance
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| L.F. Gurbanova |
Techniques for Embodying the Figurative Content of K. Debussy’s Preludes in the Interpretation of the Azerbaijani Pianist G. Annagiyeva
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| M.B. Ahadzade |
Features of the Composition "Monologue" for Solo Violin by Rufat Ramazanov, Representative of the Azerbaijani Composer’s School
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| N.M. Smirnova |
Contradictions of Authentic and Possibilites of Activation in the Educational Process
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| K.A. Grygoriev |
On the Perception of the Expressive Possibilities of Academic Trumpet Performance in the Space of Musical Culture of the 20th–21st Centuries
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| M.V. Velióev |
Ismayl Hajibayov. «Two Choirs a cappella to the Words of L. Tolstoy» (1978) "Like a Gentle Prince – Vladimir" "Sukhman Left"
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| E.V. Zelenkova |
Historical Prerequisites for the Formation of Domestic Regional Piano Schools
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| N.E. Bayramalibeyli |
On the Stylistics of Texture in "Organ Symphony" by Arif Mirzoev
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| A.P. Panov |
Konstantin Igumnov – Sincere and a Demanding Artist (on the 150th Anniversary)
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| O.Yu. Kijowski |
Matthias Weckmann and His Role in the Development of North German Organ and Clavier Art
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| Li Yaping |
Reception of the O. Messiaen’s Musical Language in Piano Work Chinese-French Composer Chen Qigang
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| A.V. Mokhort, E.V. Komissarov |
Conductor’s Interpretation in the Context of the Theory of Intertextuality
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| Yang Peifan |
Music of the Quanzhen School of Taoism in the Context of Traditional Chinese Culture
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| I.V. Tatarintseva |
On the Eve of a New Season:
a Retrospective Look at the Creative
Space of Tambov Academic Symphony
Orchestra named after S.V. Rakhmaninov
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| Cai Sibei |
Analysis of Chinese Piano Music Production Methods
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| FOLKLORISTICS |
| A.S. Babayeva |
Reflection of the Nowruz Tradition in the Cantata "Novruzum" by Vasif Adigezalov
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| T.D. Bulgakova |
Genre Differentiation of Nanai Personal Songs
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| A.V. Gucheva |
«Aesthetics» and Principles of Disease Nomination in the Circassians (Adyghes) Musical Picture of the World (Using the Example of Songs-Plots of Smallpox)
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| A.V. Gucheva |
Semiosis of Images, Symbols and Meanings of the Song of Smallpox Treatment in the Adyghe Rite Chapsh
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| H.T. Tohrablı |
Formation of the School of Playing the Ancient Musical Instrument Zurna in the City of Sheki of the Republic of Azerbaijan
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| T.Kh. Musaeva |
Ethnography and Dynamics of Cultural Development of the Lezgi Ethnic Group living in Azerbaijan
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| THEORY |
| O.V. Ozerskaya |
The Fifth Symphony of Yu.V. Vorontsov in the Context of his Symphonic Works
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| L.K. Gurbanova |
Music-Theoretical Teaching in the Treatises of Safiaddin Urmavi, Abdulgadir Maraghi, and Mir Mohsun Nawwab
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| Ò.N. Krasnikova, V.V. Luk’anenko |
The Musical Scarlet Sails by M. Dunaevsky as a Phenomenon of Artistic Synthesis
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| V.V. Zhalnin |
The Multi-Structure Code in the Works of Darius Milhaud
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| A.N. Lipov |
Ian Campbell Sounds on Par with the Real: Mixed Semiotic Strategies in Post-Cage Musical Experimentalism
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| A.A. Komkova, N.V. Gureva |
Spiritual Tradition in Modern Russian Composer Creativity: V.G. Kikty
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| F.A. Mammadova |
The Embodiment of Mugham
Traditions in the Vocal and Instrumental
Works of Firangiz Alizadeh
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| A.A. Bobeyko |
Problems of Defi ning Plagiarism
in Academic and Pop-Jazz Musical Art
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| CONCERTS & FESTIVALS |
| I. Umnova |
We Are Alive as Long as we Remember
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| MUSICAL CULTUROLOGY |
| I.I. Bannikova |
The Role of Telegram-Channels Content in Promotion Academic Music
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| Yang Boyuan |
Musical Memory. Ways and Possibilities of Its Development
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| T.R. Mammadova |
Ethno-Jazz in the Musical Culture of Azerbaijan in the ÕÕ Century: Traditions and Modernity
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| WHITH A CUP OF TEA |
| A.G. Toryanik |
Music for the animated film "The Legend of Peter and Fevronia". Interview with the author Olga Shvets
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| MUSIC IN THEATRE |
| L.E. Krasnova |
The Problem of the Embodiment of Tchaikovsky’s Score "The Nutcracker" in the Ballet Theater
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| ARTISTIC PORTRAIT |
| I.N. Karacharov |
Musical Culture of the Belgorod Region in Personalities: Composer Elena Yurievna Latysh-Biryukova
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| S.S. Verdiyeva |
The role of Elchin Hashimov in the Art of Tar Performance
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| T.E. Batagova, S.V. Kabisov |
Folklore and Choral Art of North Ossetia. Conductor-Choirmaster L.S. Mamukova and her Contribution to the Choral Culture of North Ossetia
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| A.A. Iskanderli |
Features of the Images Created
by the Famous Azerbaijani Opera
Singer Firangiz Akhmedova in the Opera
Works of European and Russian Composers
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| NEW MUSIC |
| Yang Tong |
Tang Dong’s «Organic Music»: Traditions and Innovations
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| V.B. Abbasova |
"Khojaly Requiem" by Alexander Tchaikovsky in the Context of the Relationship Between the Musical Cultures of East and West
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| EVENT |
| V.A. Esakov |
To the 75th Anniversary of the Gnessins Moscow Secondary Special Music School (College)
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| L.V. Rodionova |
Musical Journey
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| ANNIVERSARIES |
| D.Zh. Zhumabekova |
Akbope Karmysova – Violinist from Kazakhstan (on the Occasion of her 70th Birthday)
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| TEACHER'S WORKSHOP |
| WORKS BY CONTEMPORARY COMPOSERS |
| E.S. Levchenko |
“With All Sorrow” for Mixed
Choir on Orthodox Texts
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| E.S. Levchenko |
“Telecast” (TV Show) for Male
Voice and Instrumental Ensemble
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