Music and Time Annotation << Back Features of Accompanist Art in the Works of N.Ya. Myaskovsky on the Example of the Suite for Voice and Piano "Madrigal" N.V. Medvedeva In this article, the author scrupulously analyzes the performing art of accompanist on the example of one of the most popular and familiar compositions for modern musicians – Suite for voice and piano "Madrigal" by N.Ya. Myaskovsky. The author of the work rightly noted that the performance and listening of this cycle contributes to the realization of various emotional experiences of a person, from passion to tenderness, as well as from delight to oblivion. From the point of view of the accompanist’s performance of the cycle, the musician should pay special attention to the ensemble side of the performance of the composition. In this case, it is necessary to observe sensitivity and incredible flexibility. The accompanist needs to demonstrate all his experience and performance potential. The purpose of this article is to conduct a multi-aspect analysis of the claimed composition, as well as to identify the main performance difficulties that a modern musician may encounter when analyzing and further performing the work in concert. For these reasons, this article is particularly relevant and practical. Keywords: accompanist performing art, N.Ya. Myaskovsky, madrigal. DOI: 10.25791/music.8.2023.1241 Pp. 24-28.