HISTORY |
V.A. Valiyeva |
The Contribution of the First Television
Mugham Competition to Azerbaijani Art
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I.V. Tatarintseva |
Offering of Tambov State Musical-Pedagogical
Institute to S.V. Rakhmaninov
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A.N. Lipov |
Eric De Visscher Silence
as a Musical Sculpture. John Cage
and the Instruments in «4'33»
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B.G. Gnilov, M.L. Novikova |
Refl ections on the «Hymn to the Great City» by R.M. Glier
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A.I. Demchenko |
British Orpheus
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Zhao Taotao |
The Creation of the Chinese Violin
During the Early Stage
of the Formation of New China
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N.Z. Babazade |
Issues of the Use of Mugham
in the Works of Azerbaijani
Composers on Historical Themes
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Zh.S. Tikhonova, K.Y. Alagaeva |
Opera Houses in Vietnam
in the XIX – early XX Century
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A.I. Demchenko |
Russian Conservatories as a Cultural
and Educational Institution
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N.V. Zabolotnaya |
About Monastery Signifi
Сance in the Development
of Ancient Russian
Church Chant
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V.R. Dotsenko |
«Magical Realism»
and the Music
of Latin America
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A.N. Lipov |
Nicolas Collins Grazing the Buffet –
the Musical Menu after Cage
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A.I. Demchenko |
Constructivism and Music of the 20th Century
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A.I. Demchenko |
Contours of the "Citizen of the World" Heritage
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A.I. Demchenko |
Fundamental Aspects Clavier
Heritage of J.S. Bach
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V.R. Dotsenko |
Music of Latin America:
Indigenism, Neofolklorism, Stravinsky
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A.I. Demchenko |
Categories of Macrocosm and Microcosm
in Russian Music of the ХХ Century .
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A.I. Demchenko |
Musical Poetics of Antonio Vivaldi
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PERFORMING ART |
S.A. Tyaglova |
Principles of Poetic Text Analysis in Choral Music
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N.K. Gulamova |
Formation and Development
of String Performance in Azerbaijan
in the 60-s of the 20th Century
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E.O. Andreyko |
Aria of the Swan Princess from the Opera
"The Tale of Tsar Saltan" by N.A. Rimsky-Korsakov:
Problems of Vocal Technique
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M.A. Gotsdiner |
And Once Again About I.S. Bache
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A.A. Bobeyko |
Problems of Copyright Protection for Musical Works in the Russian Federation
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A.V. Furukin |
Means of Expression Modern Horns
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S.V. Ivanov |
Towards a Typology
of Electronic Musical Instruments
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CONCERTS & FESTIVALS |
Medvedeva N.V. |
In the Homeland of N.A. Rimsky-Korsakov
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L.V. Rodionova |
Anniversary Concert of Andrei Mikita
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O.Yu. Koshelev |
“...So that our Descendants Know and Remember
the History and Culture of the Country!”
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N.V. Medvedeva |
Under the sign of M.I. Glinka
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V.O. Petrov |
«FRUCTUS TEMPORUM» About the V International
Composer Competition among students, Undergraduates
and Graduate Students of Various Specialties
of Music Universities «FRUCTUS TEMPORUM»
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L.V. Rodionova |
Vibrations of Time
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I. Umnova |
Creative Laboratory of Composers – 2024 in Kemerovo
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N.V. Ostroumova |
From Baroque and Rococo to Modern Times
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L.V. Rodionova |
Moscow Stories
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N.V. Ostroumova |
Contemporary Chamber
Music at the Silver Age Museum
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MUSIC IN THEATRE |
K.S. Kopunova |
Preservation of the Classical
Heritage as the Main Objective
of the Modern Ballet Theater
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IN MEMORIAM |
N.V. Medvedeva |
Schwartz is a Romantic of the 20th Century.
To the 100th Anniversary of the Birth
of Composer Isaac Schwartz
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S.I. Kuznetsova |
Play, my Bayan! On the 90th Anniversary
of Vladislav Krivenko's Birthday
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N.L. Ruban |
Alexander Cherepnin in the Artistic
Space of Georgia: Diverse "Dialogues" of the Russian
Musician With Eastern Cultures
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O.A. Kalashnikova, V.V. Kalashnikov |
«I am a Happy Man!». In Memory of People's
Artist of the Russian Federation
Alexander Vladimirovich Sklyarov
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ARTISTIC PORTRAIT |
S.A. Mammadova |
Dedication to the Teacher
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WORKS BY CONTEMPORARY COMPOSERS |
E.S. Levchenko |
Polka “Inessa” for piano
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E.S. Levchenko |
Rondo in A major for piano
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E.S. Levchenko |
Prelude in G minor for piano
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THEORY |
Yu.G. Krasko |
Six Humoresques by Jean Sibelius.
Dramaturgical and Compositional Peculiarities
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A.N. Lipov |
Jennifer Judkins
Silence, Sound, Noise and Musicthe
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O.B. Chechik |
Influence of Music Recording and Playback
Formats on Listener Perception
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V.V. Balshin |
The Evolution of the String Quartet
Genre in the Works of Myaskovsky
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N.A. Petruseva, I.A. Davydova |
On the Interpretation of the Perpetuum
Mobile Genre in the Play "Alcan – Paganini"
by Michael Finnissy
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E.O. Annenkova |
Composition Technique
in the Concert Overture «Antichrist»
by Peter Maxwell Davies
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A.V. Nikulina |
Language as an Instrument of Myth
in «Sirius» by Karlheinz Stockhausen.
The First Part (CANCER)
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Yu.G. Krasko |
B. Bartok. Violin Rhapsodies:
on the Issue of the Interrelation of Folk
Primary Sources, Composition and Performance
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A.V. Nikulina |
Language as an Instrument of Myth
in «Sirius» by Karlheinz Stockhausen.
The Second Part (LIBRA)
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A.N. Lipov |
CHENYU BU SOUND AS SILENCE:
Nothingness in the Music
of Anton Webern and John Cage
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A.V. Nikulina |
Language as an Instrument of Myth
in «Sirius» by Karlheinz Stockhausen.
The Third Part (CAPRICORN)
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N.E. Bayramalibeyli |
On the History of Studying
Issues of Texture in Azerbaijani
Musicology in the Twentieth Century
(Soviet Period)
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A.P. Panov, I.A. Korzhenevsky |
Nikolay Semenovich Golovanov –
Interpreter of Russian Music
in the Context of His Recordings
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O.A. Krishtalyuk |
The opera Morning and Evening
by Georg Friedrich Haas: Peculiarities
of Style in the Aspect of the Mystery
Concept of the Plot
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FOLKLORISTICS |
S.А. Balabeyova |
On Ancient Azerbaijani Folklore Game Tunes
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S.H. Arsalani |
Ashug Traditions of Urmia
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S.A. Tyaglova |
Traditions of Russian Choral Singing
in the Modern Cultural Space
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TEACHER'S WORKSHOP |
ЕTHNOMUSICOLOGY |
A.V. Gucheva |
Transformation of the Mythology of Archaic in the Adyghe Magico-Medical Rite of Chapsh: the Emergence of New Meanings and Symbols in Smallpox Conspiracy Songs
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ETHNOMUSICOLGY |
A.V. Gucheva |
Smallpox Song in Context Adyghe
Magico-Medical Rite Chapsh: Images and Symbols
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ANNIVERSARIES |
A.O. Bakhshiyeva |
Melody of Life: the Contribution
of Imruz Afandiyeva to the Development
of Аzerbaijani Musicology.
Dedicated to the 90th Anniversary
of the Prominent Musicologist and Educator
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