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Music and Time

Annotation
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Opera Houses in Vietnam in the XIX – early XX Century
Zh.S. Tikhonova, K.Y. Alagaeva

The article is devoted to a problem that is very relevant for understanding the cultural space of modern Vietnam: we are talking about the
traditional musical culture of the Tuong, Teo and Kai Luong theaters.
The article gives a brief historical digression into the history of the formation of theaters, an attempt is made to characterize the specifi c
features of each national genre.
Analyzing the differences of the Tuong Theater, the author explores the classical Vietnamese opera, which originated as a court spectacle;
describing the Teo Theater, its existence outside confl icts and struggles is emphasized, since the theater appeared as a celebration in honor of the
harvest. Rethinking the musicality of the relatively young Kai Luong genre, the author points to the ability to adapt to the conditions of a colonial
semi-feudal society.
The article touches upon the peculiarities of the policy regarding intangible cultural heritage, which is carried out in modern Vietnam, when a
special place in the construction of the image of national culture is given to song folklore.
Keywords: living museum, art of kai luong, classical theater form, national heritage, a kind of musical theater in Vietnam, Tuong theater,
traditional art of teo, song folklore, folklore opera.


DOI: 10.25791/music.3.2024.1283

Pp. 08-12.

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