THEORY |
N.N. Alekseeva |
«From me Flows What you Call Тime»
by Toru Takemitsu: Interpretation of the Cycle,
Orchestra, Form, Types of Material
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A.V. Nikulina |
Language as an Instrument of Myth in
«Sirius» by Karlheinz Stockhausen
the Fourth Part (ARIES)
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A.G. Levin |
Frequency Arrangement.
Theoretical and Practical Aspects of Optimizing
Instruments in Musical Composition
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A.N. Lipov |
Peter Timmerman Uncaged: Buddhism,
John Cage and the Freeing of the World
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K.E. Shevchenko |
Phonk as a Phenomenon
of Hybrid Musical Culture: Problems of Genesis,
Stylistics and Typology of the Genre
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HISTORY |
V.I. Adishchev |
Formation of a Three-Level Structure
of Domestic Music Education (the 1920s)
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T.B. Sukhanova |
Contents of Public Concerts
Programs With Violinists Participation
in Russia in 1800s–1830s
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A.I. Demchenko |
Titan of the Baroque Era
(on the 340th Anniversary of Handel's Birth)
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PERFORMING ART |
A.I. Demchenko |
Choral Performance of Boris Tevlin
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L.F. Dunaev |
How the Concert Arrangement
of the March "Farewell of Slavianka"
by V. Agapkin Was Created
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TEACHER'S WORKSHOP |
CONCERTS & FESTIVALS |
N.V. Medvedeva, V.V. Shulin |
FLORESTAN OF RUSSIAN CINEMA.
Dmitry Kharatyan to Head Music Festival
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M. Vasilyeva |
Russian Duet Festival Held
in the Homeland of Lyadov and Rimsky-Korsakov
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THEORY
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N.A. Petruseva, A.A. Vyimova |
«1ère Gymnopédie» by E. Satie, «Hymn I»
by A. Schnittke: Interpretation of Genre,
Forms, Compositional Techniques
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MUSICAL CULTUROLOGY
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Su Zongmao |
On the Problem of Classical Music Metadata
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MUSIC IN THEATRE |
E.V. Babicheva |
Actor's Authenticity
in the Conventional Space of Opera
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Liang Lanyu |
Staging Tang Jianping's Opera
the Dawns Here Are Quiet:
Dialogues in Time and Space
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WORKS BY CONTEMPORARY COMPOSERS |
R. Kalimullin |
Khodai Karshynda Without Sauna
(We are Answerable to God)
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