| THEORY |
| N.N. Alekseeva |
«From me Flows What you Call Тime»
by Toru Takemitsu: Interpretation of the Cycle,
Orchestra, Form, Types of Material
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| A.V. Nikulina |
Language as an Instrument of Myth in
«Sirius» by Karlheinz Stockhausen
the Fourth Part (ARIES)
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| A.G. Levin |
Frequency Arrangement.
Theoretical and Practical Aspects of Optimizing
Instruments in Musical Composition
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| A.N. Lipov |
Peter Timmerman Uncaged: Buddhism,
John Cage and the Freeing of the World
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| K.E. Shevchenko |
Phonk as a Phenomenon
of Hybrid Musical Culture: Problems of Genesis,
Stylistics and Typology of the Genre
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| A.N. Lipov |
Matthew Rogalsky ‘Nature’
as an Organising Principle: Approaches
to Chance and the Natural in the Work
of John Cage, David Tudor and Alvin Lucier
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| A.N. Lipov |
Nathaniel Woodward John Cage
and the Aesthetic Pedagogy Chance & Silence
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| A.V. Litnevskaya |
The revival of Pietro Metastasio's
Musical Drama «Siface»: Features
of Deciphering an 18th Century
Typographical Imprint
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| N.V. Klimova |
"I am that Which Alone Exists" Vocal Cycle
"The Harlot and the Maiden" by A. Izosimov
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| G.A. Skhaplok |
The Nineteenth Symphony for Wind
Orchestra by Nikolai Myaskovsky
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| A.N. Lipov |
Shauna Jean Doherty Noise and Silence:
The Contemporary Sound
Sculptures of Adam Basanta
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| N.V. Klimova |
Second Concerto for Violin
and Orchestra by A. Izosimov
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| N.A. Petruseva |
About the Opera «Peony Pavilion» by Tan Dun
More »
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| A.N. Lipov |
Ina Blom From Signal to Noise:
John Cage and the Anarchy
of Silence
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| L.A. Bomshtein, Е.V. Маkartseva |
The Rock and Opera
Project: On the Question
of Experimentation
at the Junction of Genres
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| HISTORY |
| V.I. Adishchev |
Formation of a Three-Level Structure
of Domestic Music Education (the 1920s)
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| T.B. Sukhanova |
Contents of Public Concerts
Programs With Violinists Participation
in Russia in 1800s–1830s
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| A.I. Demchenko |
Titan of the Baroque Era
(on the 340th Anniversary of Handel's Birth)
More »
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| A.I. Demchenko |
Element of Humour in the Works
of Elena Gokhman To 90th Anniversary
More »
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| A.I. Demchenko |
Darkness and Light of Late Tchaikovsky
(on the 185th Anniversary of His Birth)
More »
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| A.I. Demchenko |
The Mysterious Wolfgang Amadeus
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| N.S. Semenova |
The Origins of Modern Pop Music
at the Turn of the 19th and 20th Centuries
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| A.I. Demchenko |
Triptych about Beethoven.
Facets of Human Existence
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| A.I. Demchenko |
Triptych about Beethoven.
Heroic and Dramatic Epic
More »
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| A.I. Demchenko |
Triptych about Beethoven.
On the 255th Anniversary
of His Birth. Some Results
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| N.S. Semenova |
The Relationship Between
Russian Pop Music
and Cinema at the Turn
of the 19th and 20th Centuries
More »
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| O.V. Chepizhnaya |
S.I. Taneyev's "Concert Suite":
on the Transformation
of the Violin Concerto Genre
More »
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| A.I. Demchenko |
Russian Musical Avantgarde
of the Early Twentieth Century.
Essay One
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| PERFORMING ART |
| A.I. Demchenko |
Choral Performance of Boris Tevlin
More »
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| L.F. Dunaev |
How the Concert Arrangement
of the March "Farewell of Slavianka"
by V. Agapkin Was Created
More »
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| G.A. Skhaplok |
The concert «Sad Songs» by Valery Pyankov
More »
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| M.A. Gotsdiner |
Let's Play Clean! (A Word about Intonation)
More »
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| TEACHER'S WORKSHOP |
| CONCERTS & FESTIVALS |
| N.V. Medvedeva, V.V. Shulin |
FLORESTAN OF RUSSIAN CINEMA.
Dmitry Kharatyan to Head Music Festival
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| M. Vasilyeva |
Russian Duet Festival Held
in the Homeland of Lyadov and Rimsky-Korsakov
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| M.A. Gotsdiner |
Unique Concert
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| N.V. Ostroumova |
Lilia Rodionova's Author's Concert
at the Ural Conservatory
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| THEORY
|
| N.A. Petruseva, A.A. Vyimova |
«1ère Gymnopédie» by E. Satie, «Hymn I»
by A. Schnittke: Interpretation of Genre,
Forms, Compositional Techniques
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| MUSICAL CULTUROLOGY
|
| Su Zongmao |
On the Problem of Classical Music Metadata
More »
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| MUSIC IN THEATRE |
| E.V. Babicheva |
Actor's Authenticity
in the Conventional Space of Opera
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| Liang Lanyu |
Staging Tang Jianping's Opera
the Dawns Here Are Quiet:
Dialogues in Time and Space
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| WORKS BY CONTEMPORARY COMPOSERS |
| R. Kalimullin |
Khodai Karshynda Without Sauna
(We are Answerable to God)
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| S. Segal |
She's happy about you
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| L. Rodionova |
In other Words, for a Mixed
Choir a capella in 3 Parts
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| V. Orlov |
Three choirs
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| PERFORMING ARTS |
| A.А. Rovner |
Stanislav Krejci is an Extraordinary
Personality and a Multifaceted Composer,
the Author of Music for the ANS Synthesizer
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| ARTISTIC PORTRAIT |
| I.M. Efendiyeva |
The Height of Scholarly
Pursuit. An Article Dedicated
to Musicologist
Aytan Oktay gizi Bakhshiyeva
on the Occasion
of the 25th Anniversary
of her Creative Career
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| ANNIVERSARIES |
| A.O. Bakhshiyeva |
The Mentor of Educators.
Dedicated to the
140th Anniversary of the
Great Uzeyir Hajibeyli.
A conversation with Composer
Franghiz Ali-Zadeh
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| REVIEWS |
| I.Yu. Onoshko |
Secrets of Piano Mastery:
Immersion Into the World
of S. Rachmaninov.
Review of the Monograph
by S. Vartanov
«Rachmaninov’s Lessons:
Concept in Piano
Interpretation»
More »
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