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Music and Time

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Actor's Authenticity in the Conventional Space of Opera
E.V. Babicheva

The article examines the objective reasons for updating scenic techniques in opera performances, which is a prerequisite for the authenticity
of acting. Set design helps to reveal the deeper meanings of the musical score, creates additional conditions for the synthesis of dramatic and
musical art in opera, destroying the conventions of this genre. The true existence of an artist-singer in the opera is one of the achievements of the
modern theater school.
The author comes to the conclusion that the synthesis of traditions and innovations occupies a signifi cant place in the training of future opera
artists. The search for a justifi ed psychophysical existence in musical sketches is the most important principle of achieving acting authenticity in
the implementation of stage and vocal tasks.
Keywords: musical and scenic polyphony, synthesis of drama and opera, musical sketch.


DOI: 10.25791/music.3.2025.1349

Pp. 18-27.

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