| THEORY |
| A.S. Konivets |
Some features of the «Sonata dramaturgy for domra and piano» A. Tsygankov
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| HISTORY |
| К.H. Dadash-zade |
The role of Uzeyir Hajibeyov in the formation of the national style of the Azerbaijan composers’ school
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| E.A. Soboleva |
Union of composers of the RSFSR – a look through some events in the history of I – VII congresses
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| PERFORMING ART |
| Yu.G. Krasko |
Duo Concertant for violin and piano by Igor Stravinsky in the context of the author’s interpretation (verbal and performing)
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| A.P. Panov |
«Arzamas does not know him, but he knows Berlin, New York, Madrid, Milan, Rome!» (In memory of Leonid Vladimirovich Nikolaev)
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| O.Y. Ushakova |
To the problem of transformation of the texture of piano transcriptions: the experience of the ontological approach
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| A.A. Chergeev |
The influence of vocal creativity of the Crimean Tatars on the moral and aesthetic values of the people
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| MUSICAL CULTUROLOGY |
| A.N. Lipov |
Adam Tendler John Cage on the beach. ESSAY. A trained pianist reflects on sonatas and cage interludes
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| O.A. Sizhazheva |
Nalchik Music School – the First Step of Vocational Music Education of Kabardino-Balkaria
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| FOLKLORISTICS |
| S.M. Mamedli |
Principles of Azerbaijani folk songs use in the new genre – «Fikret Amirov’s Symphonic Mugham»
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| CONCERTS & FESTIVALS |
| A. Lesovichenko |
National Philharmonic - sixteen
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