| MUSIC ROUND-UP |
| I. Severina |
MUSIC ROUND-UP
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| I. Severina |
MUSIC ROUND-UP
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| I. Severina |
MUSIC ROUND-UP
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| ÂÎÏÐÎÑÛ ÈÑÒÎÐÈÈ |
| D. Lomtev |
German Music Publishers in Russia in the Second Half of the 19th Century
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| K. Zybina |
Interaction of Sacred and Secular Elements in W. A. Mozart’s Music
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| ÂÎÏÐÎÑÛ ÒÅÎÐÈÈ |
| N. Petrusyova |
On the Pierre Boulez – John Cage Correspondence
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| T.E. Batagova |
Stylistic Constants of Atsamaz Makoev’s Music
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| ÌÓÇÛÊÀËÜÍÀß ÀÐÕÅÎËÎÃÈß |
| E. Frayonova |
History of Musical Instruments of Ancient Civilizations and Medieval East Based on Musical Archaeology (III thousand BC – I thousand AD). Mesopotamian Musical Instruments. Part II. Harps of Sumer, Babylon and Assiria
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| E. Frayonova |
History of Musical Instruments of Ancient Civilizations and Medieval East Based on Musical Archaeology (III thousand BC – I thousand AD). Mesopotamian Musical Instruments. Part III. Mesopotamian Lyra
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| E. Frayonova |
History of Musical Instruments of Ancient Civilizations and Medieval East Based on Musical Archaeology (III thousand BC – I thousand AD). Mesopotamian Musical Instruments. Part IV. Mesopotamian Lute
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| ÒÂÎÐ×ÅÑÊÈÉ ÏÎÐÒÐÅÒ |
| T. Batagova |
Marina Tarasoca’s Furious and Merciful Cello
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| ÏÅÄÀÃÎÃÈ×ÅÑÊÀß ÌÀÑÒÅÐÑÊÀß |
| Å. Tchudakova |
Music Education en Kindergarten ¹ 143
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| ÊÎÍÊÓÐÑÛ |
| M. Vasiltsova |
M.P. Mussorgsky, N.A. Rimsky-Korsakov, M.A. Balakirev Working on the Choir «Issus Navin»
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| A.E. Mitrofanova |
Church Hymns for Religious Processions in Old Russian Singing Manuscripts of 11th–17th centuries
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| A. Gaponov |
On the Problem of the Form of Gustav Mahler’s Eighth Symphony
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| E. Kiseleva |
Cycle of Birth and Christening Songs in Russian-Belarusian Borderlands
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| Yu. Rogatcheva |
D. Mitropulos Competition-2010
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| M. Buloshnikova (Tikhonova) |
R. Shchedrin’s Opera «Boyarynia Morozova»: On the Problem of Genre Archetype
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| A. Pashkova (Pyatakova) |
Vyacheslav Ovchinnikov, a Successor of Russian Classical Symphonic Tradition
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| ÊÎÍÖÅÐÒÛ È ÔÅÑÒÈÂÀËÈ |
| A. Koroleva |
Century-long Memory
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| A. Koroleva |
The World will Become Russia
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| MUSICAL CALENDARIUS |
| I. Shablovskaya |
MUSICAL CALENDARIUS
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| I. Shablovskaya |
MUSICAL CALENDARIUS
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| ÞÁÈËÅÈ |
| Å. Yakovleva |
Sviridov Musical Festivals
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| T. Torstendahl Salytjeva |
Sweden Singer Margareta Hallin: Artistic Portrait
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| S.V. Sintsova, N.P. Khilko |
Edward Patlayenko’s interpretation of «Êàlevala» and «Kanteletar»
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| ÑÂÅÒ ÓÃÀÑØÅÉ ÇÂÅÇÄÛ |
| Å. Glookhova, Ì. Moiseeva, S. Soldatova |
Composer Dimitry Koltsov (1984–2010). In memoriam
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| ÏÐÎÈÇÂÅÄÅÍÈß ÑÎÂÐÅÌÅÍÍÛÕ ÊÎÌÏÎÇÈÒÎÐÎÂ |
| Ä. Êîëüöîâ |
Ìîëèòâà
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| Ä. Êîëüöîâ |
Îñåííåå
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| Ä. Êîëüöîâ |
Ïîä ñåíüþ öâåòîâ
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| À. Ìàêîåâ |
Íîêòþðí
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| À. Ìàêîåâ |
Ìóçûêàíò êðûëàòûé âåòåð
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| À. Ìàêîåâ |
Óäèâèòåëüíûé ñîí â ëåòíþþ íî÷ü
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| À. Ìàêîåâ |
Ñ ïåðâûõ øàãîâ ïî ïëàíåòå
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| Ý. Ïàòëàåíêî |
Èç öèêëà «Çàáûòûå ïåñíè»
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| ÝËÅÊÒÐÎÍÍÀß ÌÓÇÛÊÀ (æóðíàë â æóðíàëå) |
| A. Buyvid |
Sound art at GOGOLFEST
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| M. Moiseeva |
Gotan Project: tango is dead, long live the tango!
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| I.E. Goryunova |
Evolution of Audiovisual Content of Mass Performances. Multimedia Åffect
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| MUSIC ROUND-UP |
| I. Severina |
MUSIC ROUND-UP
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| I. Severina |
MUSIC ROUND-UP
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| I. Severina |
MUSIC ROUND-UP
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| ÇÀ ×ÀØÊÎÉ ×Àß |
| A. Maxov |
. Dimitry Zagrebin: «Everything that Happens with a Person is Deserved»
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| N. Savvateeva |
Irina Bazhenova: «Success is an Energy!»
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| ÌÓÇÛÊÀ Â ÒÅÀÒÐÅ |
| Y. Kabalevskaya |
Party is Canceled: “Let It Tempest»
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| ÔÎËÜÊËÎÐÈÑÒÈÊÀ |
| A.V. Gucheva |
Information Field of Eðos: Attributes of Traditional Culture
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| ÈÑÒÎÐÈß |
| O. Kravchenko |
J.-B. Lully’s Orchestra in His «Tragédies en Musique»
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| Î×ÅÐÊÈ |
| Ò. Khainovskaya |
Petersburg In Dimitry Kabalevsky’s Life and Artistic Mind
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| ÒÅÎÐÈß |
| Z. Gljadeshkina |
Modulation Doctrine: the First Steps (France, the First Half of the 17th Century)
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| M. Vysotskaya |
Toposes of Silence in a Musical Poetics of Faradzh Karaev (through Analysis of Postludia for Piano)
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| MUSIC REVIEW |
| I. Severina |
Music Round-up
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| I. Severina |
Music Round-up
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| Severina I.M. |
Music Round-up
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| I. Severina |
Music Round-up
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| I. Severina |
Music Round-up
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| I. Severina |
Music Round-up
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| I. Severina |
Music Round-up
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| MUSICAL ARCHEOLOGY |
| E. Frayonova |
History of Musical Instruments of Ancient Civilizations and Medieval East Based on Musical Archaeology (III thousand BC – I thousand AD). Mesopotamian Musical Instruments. Part VI. Mesopotamian percussion instruments: Idiophones
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|
| E. Frayonova |
History of Musical Instruments of Ancient Civilizations and Medieval East Based on Musical Archaeology (III thousand BC – I thousand AD). Mesopotamian Musical Instruments. Part V. Mesopotamian Wind Instruments
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|
| E. Frayonova |
Bryansk Guy with Neapolitan Passion
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| A CUP OF TEA |
| A. Utesheva |
Evgeny Savchuk: «Let Us Meet!»
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| M.A. Moiseeva |
Ekaterina Antonenko: «While We are Young We Like to Try Something New»
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|
| HISTORY |
| T. Zenaishvili |
Music Baroque Compositions: an Attempt of Rhetoric Analysis
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| O.-L. Monde |
Irving Berlin: Popular Songs and Musical Theatre
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| T. Zenaishvili |
Music Baroque Compositions: an Attempt of Rhetoric Analysis
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| I. Shleina |
Romances by P.I. Tchaikovsky op. 73: «the Confession of the Son of the Century»?
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| L. Slutskaya |
A.N. Serov, the Founder of Russian Musical Critique
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| S. Sigida |
Dane Rudhyar and American Ultramodernism
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| M. Serebrennikov |
Ms. Avdotya Ivanova’s «Book on Thorough-Bass» (1786): Pages of a Musical Leisure of a Lady of the Period of Catherine the Great
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| E. Kuznetsova |
Sergey Rañhmaninoff – the Person of Advertising Campaign Steinway
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| M. Kushpileva |
Role of the Mother of God Canticles in Orthodox Service (on an Example of «Dostoino est’»)
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| Yu. Panov |
On the Problem of National in A.N. Scriabin’s Early Piano Works
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| N. Plotnikova |
«Regal Master» Vasily Titov
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| O. Lukonina |
Stylizations in the Musical Theatre of the Silver Age
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| E. Dubravskaya |
Luigi Dallapiccola: Origins
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| A. Korobeinikov |
Darius Milhaud’s ballet "The Bells" based on Edgar Poe’s homonymous poem
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| L. Slutskaya |
Music and Musical Education in the Sociocultural Space of Russia at the Turn of the 20th Century
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| V. Prytkov |
Carillon Virtuosos
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| M. Lebed |
Alfredo Casella in His Struggle for New Italian Music.
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| V. Lopantseva |
Hugo Distler’s Cembalo Concertos
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| I. Kirienko |
Francois Couperin’s «Musical Portraits» in the Context of the Synthesis of Arts
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| A. Lebedeva-Emelina |
-
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| P. Skokov |
Choir (from the opera «Rinaldo»)
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| V. Zhdanov |
Franz Tunders Chorale Setting
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| I. Matyushonok |
B. Tchaikovskys Sonata for Violin and Piano in A Major: On Interpretation of the Genre
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| WORKS OF MODERN COMPOSERS |
| N. Medvedeva |
S.B. Tolstokulakov’s Cantata «Ñossacks Songs»
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| T. Batagova |
Zinaida Khabalova’s Musical Microcosm and Macrocosm
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| Z. Khabalova |
When I’m Crying for Joy
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| Z. Khabalova |
Marching Song
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| Z. Khabalova |
Ossetian Waltz
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| Z. Khabalova |
Hail, Ossetia!
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| T. Khosroev |
She walks in beauty
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| T. Khosroev |
Sorrow
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| T. Khosroev |
Patch of Sunlight
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| L. Efimtseva |
Vocal cycle "Lover’s Letters"
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| L. Balabanov |
O wert thou in the cauld blast
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| Willie |
-
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| MñPherson |
-
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| A. Paisov |
Pastoral Fantasy for Organ
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|
| *** |
| S. Tolstokulakov |
Cantata «Ñossacks Songs», ¹ 5 «The Death of the Cossack Serioga»
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| V. Titov |
Vsemirnuyu Slavu
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| V. Titov |
Dostoino Est
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| V. Titov |
Izhe Kheruvimy
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| V. Titov |
Edinorodny Syne
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| THE LIGHT OF A GONE OUT STAR |
| S. Kuznetsova |
Remembering Igor Golovchin. For the Conductor’s 55th Birth Anniversary
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| MUSICAL KALENDARIUS |
| I. Shablovskaya |
-
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| I. Shablovskaya |
The regular heading of our magazine covers important dates of current month.
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| I. Shablovskaya |
-
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| I. Shablovskaya |
-
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| I. Shablovskaya |
-
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| G. Bohm |
Prelude d-moll
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| A. Dvorak |
4 songs op. 82. ¹4. By the Stream
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| I. Shablovskaya |
-
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| F. Schubert – F. Liszt |
Miller and Stream
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| THEORY |
| M. Katunyan |
Schumann’s Reflections in the Music of the 20th Century
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| S. Lebedev |
Ptolemy and Boethius. The problem of reception of antique sciences in the Boethius’ quadrivial works
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| V. Petrov |
The Instrumental Ritual as a Variety of the Instrumental Theatre
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| N. Berger |
A Melody: Are Stereotypes Possible?
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| M. Pylaev |
On August Halm’s Concept. To the Problem of «Energy» Interpretation of Musical Form
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| O. Sinelnikova |
Word and Meaning in Rodion Shchedrin’s Instrumental music
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|
| G. Rymko |
Music Generated by Word
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| Hieromonk Philipe |
Psalm 62
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| M. Mironova |
The Perception of Music as a Communicative Process
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| ELECTRONIC MUSIC |
| À. Òèìîôååâ |
Äâà âåêà ôîòîîïòè÷åñêèõ ýêñïåðèìåíòîâ ñî çâóêîì
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|
| À. Òèìîôååâ |
Ïàìÿòè îòöà êîìïüþòåðíîé ìóçûêè
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|
| CONTESTS |
| M. Shinkareva |
XXI All-Russian/International competition of Student Musicologycal Scientific Papers Resume
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| A. Maltseva |
On Methodology of Musical Rhetorical Analysis
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| E. Kruglinskaya |
Features of the Development of Belorussian Music Critique in 1920-s (On the Periodical Press)
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| M. Boshina |
XIV International Tchaikovsky Competition: Triumphs and Defeats
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| A. Nagornova |
Bossa Nova: Repercussion of Brazilian Carnival
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| CONCERTS & FESTIVALS |
| M. Makarova |
Canadian at the Consevatory
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| V. Pushchin |
Barenreiter in A.P. Bogolubov Library
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| E. Yakovleva |
And Music Has Sounded Again
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| M. Ivanova |
Dream Factory
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| A. Maxov |
Mistery of Beauty
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| I. Levina |
Echoes of the Future
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| E. Yakovleva |
Relation of Epochs is Continuing
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| COMPETITIONS |
| A.I. Viktorchyk |
Calendar Song Traditions of the Upper Reaches of Sluch River: on the Genre Morphology and Melogeography of Winter, Spring, and Summer Cycle Tunes
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| N. Kuznetsova |
«French Song», «French Music» – Children’s Competishion in RSCB
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| E. Novikova |
N.A. Rimsky-Korsakov’s String Sextet
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| D. Safonova |
Igor Stravinsky’s «Persephone»: on Poetics of Melodrama
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| N. Kuznetsova |
The First Open Competition-Festival of the young musicians "Musical Russia"
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| A. Shakiryanova |
Mozart’s Symphony of Times: One More View to the Genre
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| M. Novikova |
Characteristics of V. Artyomovs Artistic World-View Reflected in His Orchestral Works
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| ANNIVERSARIES |
| V. Moskvitin |
Chic, Magnificence, Beauty and…selfless service: «Na Basmannoy» Theatre’s 10th anniversary.
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| E. Faustova |
If the Operetta Has a Future? «Das Veilchen vom Montmartre» in the «Na Basmannoy» Theatre
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| N. Kilpe |
V. Yushchenko. The Role to Overcome
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| D. Bychkov |
Kursk Virtuoso
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| L. Kazanskaya |
Life in Music
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| M. Makarova |
To the Teacher with Love and Gratitude
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| M. Terteryan |
Stork
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|
| M. Terteryan |
Snow
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|
| M. Terteryan |
A Sorrowful Willow Stands Over the River
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| T. Batagova |
Lilya Rodinova’s Composer Credo
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|
| L. Rodionova |
Reflection
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| L. Bachkovskaya |
Life Gifted to the Music
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| L. Kazanskaya |
Music Knight
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| O. Ordinartseva |
Pupils to Teacher
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| T. Batagova |
Iriston, My Song
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| M. Baskova |
In the Language of Musical Dissonance
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| I. Koshcheeva |
On Valery Kikta’s Chamber Works (Basing on the Piano Sonatas)
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| T. Batagova |
Under St. Cecilia’s Cover
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| PEDAGOGIC WORKSHOP |
| T. Kalashnikova |
Schoolchildren’s Performance Training
More »
|
| E. Yakovleva |
The Role of Local Music Culture Study in Moral and Spiritual Upbringing of Students
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|
| E. Pilkova |
Musical Abilities Diagnostics as Inalienable Component of Music Learning Process
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|
| A. Ustjugova |
B.A. Struve’s Methodical Principles
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| E. Prishchep |
West Outpost otr Russian Musical Culture
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| MUSIC IN THE THEATRE |
| I. Varshavskaya |
Queen of «Nartaki»
More »
|
| G. Snitovskaya |
Borodin’s «Prince Igor» World Premier
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|
| G. Galina |
Imitation of Quray as a Musical Dramaturgic Device of Bashkirian Opera
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|
| CREATIVE PORTRAIT |
| Yu. Zarankin |
Bryansk Guy with Neapolitan Passion
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|
| N. Dorofeeva |
Maria Sadovskay, Singer, Noblewomam, Emigrant
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|
| L. Drizo |
I don’t Care about Tomorrow
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|
| O. Kant |
Coloratura in the «Na Basmannoi» Theatre
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| INTERPRETATION |
| T. Zenaishvili |
Keyboard Historical Practice: the Problem of an Appropriate Instrument and the Concept of the 17th-century German Harpsichord
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|
| FOLKLORE |
| H. Timizhev, A. Gucheva, A. Appoev |
Ethnolinguistic and Folklore Analysis of Musical Terminological Vocabulary in Newly Created Written Languages. On a Material of Adyghe and Karachaevo-Bakarian Languages
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|
| WITH A CUP OF TEA |
| T. Batagova |
Mikhail Kislyarov: "One should Always Respect the Audience"
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|
| MUSICAL ROUND-UP |
| I. Severina |
Music Round-up
More »
|
| I. Severina |
Music Round-up
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|
| TEACHERS WORKSHOP |
| M. Shcheslavskaya |
The Bases of the Theoretical and Practical Course on Musical Journalism. For a Educational Methodological Program for Students Majoring in Choral Conducting
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|
| M. Shcheslavskaya |
Artistic Topics for Musical Reviewing in Lecture and Practice Courses on Music Journalism. A Teaching and Methodical Manual for Students of Choral Conducting Departments
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|
| MUSICAL CALENDAR |
| Shablovskaya I.Y. |
Musical Calendarius
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|
| Shablovskaya I.Y. |
Musical Calendarius
More »
|
| W. A. Mozart |
Ave verum
More »
|
| MUSICAL CALENDAR |
| Shablovskaya I.Y. |
Musical Calendarius
More »
|
| Shablovskaya I.Y. |
Musical Calendarius
More »
|
| W. A. Mozart |
Ave verum
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|