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Music and Time

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Toposes of Silence in a Musical Poetics of Faradzh Karaev (through Analysis of Postludia for Piano)
M. Vysotskaya

This paper is an attempt to consider a phenomenon of silence in a work of Faradzh Karaev, forms of its representation and features of realization in dramatic and musical language of compositions. The analysis of Postludia for piano shows the principles of realization of aesthetics of silence in a musical structure. Key words: silence, postludia, sonority E-mail: anna_mari@mail.ru Pp. 31-35

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