| THEORY |
| K.B. Huseynova |
Ballet «Uria – Freedom» by Rauf Gadzhiev in the Context of the Problem of Tradition and Modernity
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| I.P. Rubtsova |
Chamber Vocal Music by A.T. Grechaninov: Analysis of the Poetic Text of Selected Works
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| TEACHER’S WORKSHOP |
| O.A. Blok |
Development of Musical Thinking of Children in the Classes of Instrumentalists of Institutions of Additional Education
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| PERFORMING ART |
| R.R. Budagyan |
Formation and Development of the Armenian Violin Performing Art. Creativity of Karapet and Samvel Hayrapetyan
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| Yu.V. Glazkova |
Issues of Authentic Performance Through the Prism of a Historical Organ
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| A.E. Isgandarova |
Demonstration of Nationality in Chamber-Instrumental Works for Wind Instruments of Elnara Dadashova
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| L.A. Sharnina |
Romances by Samuel Barber ор. 10 № 1, № 2, № 3 to Words by J. Joyce. The Main Aspects of Methodological and Performance Analysis
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| FOLKLORISTICS |
| Z.V. Kazharova |
The Problem of Gender Stratification in the Culture of the Circassians. Women’s Folklore
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| ARTISTIC PORTRAIT |
| M.A. Konarev |
Boris Tishchenko: "I Wrote" so Good" That They Got "Hot"
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| EVENT |
| M. Makarova |
Light of Divine Love
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