| HISTORY |
| L.V. Kondakov, L.D. Belenov |
History of the Moscow School of Oboe Playing Formation: Ivan Fedorovich Pushechnikov – the First Teacher
of Wind Instruments Department
in the State musical-pedagogical college (Russian Gnesin’s Academy of Music)
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| N.S. Gulyanitsky |
Post-Modern Practice: Some of the Composer’s
Creative Tendencies
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| E.V. Sanicheva |
Opera work «Wake» by Klaas de Vries
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| theory |
| E.S. Guseva |
Hermeneutical Analysis of Binary Structures
in G. Ustvolskaya’s Fourth Symphony
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| FOLKLORISTICS |
| A.V. Gucheva, F.H. Gulieva (Zanukoeva) |
Ethnic Components in the Context of the Traditional Adyghe and Karachay-Balkarian Musical
and Dancing Culture (on Material of the Epos «Narts»)
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| Educational workshop |
| Valentin Sereda |
«Chemu ne uchat v muzykalnoy shkole», chast II: rezultaty master-klassov v DMSh Moskvy, Obninska, Stupino, Maykopa, Vologdy, Arkhangelska
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| Aleksandr Korchagin |
Iz opyta prepodavaniya distsipliny «strunnyy kvartet» v vysshem muzykalnom uchebnom zavedenii
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| musical ARCHAEOLOGY |
| V.V. Melyushchuk |
Professional Singing Traditions of Ancient Egypt on Archeological Data. Ancient Egyptian Singing Tradition Smo
from the Beginning of the Period of the New Kingdom (1550–1069 BC)
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| Concerts & festivals |
| Yelena Biteryakova |
Po sledam XIV Mezhdunarodnogo fortepiannogo konkursa imeni Edvarda Griga
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