| creative portrait |
| - |
«Хорошая музыка преображает человека»
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| Concerts and festivals |
| Ирина Новосёлова |
Праздник органного искусства
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| Лейла Абдуллаева |
Современность
в разноголосице творческих исканий
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| Music in theater |
| D.M. Mosienko |
The Ballet «Karagoz»
of G. Zhubanova
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| Music culturology |
| G.R. Konson |
The Image of the Devil in the Works
of Alexander Pushkin
and Mikhail Lermontov
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| competitions |
| L.S. Shpakovskaya |
Melos of the Greek Orthodox Church
Chants in the Post-Reform Period
(from 1881 to the Present Day)
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| performing arts |
| N.A. Govar |
Piano or Synthesizer? Experience
Comparison of Two Instruments
in the Era of Postmodernism
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| I.A. Amolin |
Domra Alto Playing
and the Repertoire Problem
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| history |
| A.A. Makarova |
The Interpretation of Expressive
Means of Harp by French
Composers of the Late 19th Century
and the Early 20th Century
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| Нам пишут |
| Арам Энфи |
Темброведение:
новая органология начинается
с «короля инструментов»
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| Works by contemporary composers |
| Joseph Pehrson |
Motorcycle
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| Over a cup of tea |
| - |
«Не доводить работу до конца…»
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