| HISTORY |
| E.V. Burundukovskaya |
The genre of the Keyboard Batalia in the Works of Western European Composers of the late XVI–early XVIII Centuries
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| F.A. Safaraliyeva |
Issues in the Study of Small Mughams in Musical Heritage of Azerbaijan
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| THEORY |
| A.S. Teplova |
«Between Mass and Chanson»: About the Term Motet in the XV Century
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| PERFORMING ART |
| A.V. Mokhort |
Basics of Orchestral Performance, Methodology Recommendations Rehearsals With Orchestra
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| MUSICAL CULTUROLOGY |
| Le Siyu |
Specifics of Creation and Performance of Saxophone Works by A. Glazunov
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| TEACHER’S WORKSHOP |
| E.G. Novokreschennykh, L.I. Abasheeva |
The World of Music in the Life and Work of F.M. Dostoevsky
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| B.P. Pronin |
Key Principles of the Formation of the Trombonist’s Performing Apparatus
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| MUSICAL ARCHAEOLOGY |
| N.B. Seliverstova |
The Formation of Dramatic Symphonism in the Early Work of Joseph Haydn
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| IN MEMORIAM |
| D.ZH. ZHumabekova, M.B. Kapeu-Kohanova |
Joseph Kogan – violinist from Kazakhstan (to the 100th anniversary of his birth)
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