| HISTORY |
| D.T. Karekenova |
The Oratorio "Tatiana’s Song" by G. Zhubanova, the Laws of the Musical Embodiment of the Literary Image of Abai-Pushkin
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| THEORY |
| N.E. Bayramalibeyli |
Some Register Features of Mugham in the Texture of Composer’s Works (on the Example of Symphonic Mughams by Tofiq Bakikhanov)
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| PERFORMING ART |
| D.T. Amirova |
The Main Stages of the Development of Interpretation in the Jazz Performance of Azerbaijan
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| Wang Qing |
Russian Classical Romances in the Modern Educational Repertoire of a Future Professional Vocalist: on the Question of Understanding Artistic Value
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| Mao Qian |
The Art of the Piano Ensemble in the European Musical Culture of the XX Century and its Influence on the Formation of Piano Ensemble Music Making in China
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| MUSICAL CULTUROLOGY |
| L.I. Malysheva |
Pushkin’s Mozart and Salieri as the Cultural Code of the Art of Music
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| NEW MUSIC |
| A.S. Lokteva |
Between Paint and Tone: About Color-Sound Parallels in the Art of the XX Century
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| TEACHER’S WORKSHOP |
| B.G. Gnilov, I.D. Nikoltsev |
Playing the Piano in the Course of Harmony: a Pedagogical Experiment Conducted at the Department of Theory and History of Institute of Military Conductors
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| ARTISTIC PORTRAIT |
| E.V. Lokshina |
The Modern Opera "The Periodic System" as a Reflection of the Shoah Tragedy
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