| HISTORY |
| V.O. Petrov, Yu.V. Markina |
"Macrocosmos III" and "Macrocosmos IV" by George Crumb: contemplation of the nature of the Cosmos and Eternity
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| K.Yu. Mikhaylov |
Music by D.D. Shostakovich to the film "Cheryomushki"
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| THEORY |
| Han Yipeng |
Adapting the Traditions of the Beijing Opera in Zhang Chao’s Piano Piece «Pihuang»
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| PERFORMING ART |
| I.V. Batishchev, M.M. Trunov |
Wind Instrument Competitions: Their History, Merits, Future
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| Wang Kexin |
Bel Canto Development and Innovation in Modern Chinese Universities
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| O.R. Kovtunenko, A.V. Sayapin |
Phonetic Features of Italian and French Languages and Their Use by Russian-Speaking Vocalists in Singing
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| WHITH A CUP OF TEA |
| L.D. Belenov |
Save the Leading Positions of the Russian Academy of Music Gnesins in Music Education in Russia Interview with A.S. Ryzhinsky Rector of the Russian Academy of Music Gnesins
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| I.G. Razinkova |
Interview with an Honored Worker Culture of Russia, Teacher of the Central Music School at the Moscow Conservatory, Transcriptor and Composer Vasily Ivanovich Ermakov
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| TEACHER’S WORKSHOP |
| N.F. Semenova |
The Formation of Consciousness of Students of Orchestral Conductors in Institutions for Professional Music Education
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| WORKS BY CONTEMPORARY COMPOSERS |
| E.A. Alexandrova, T.D. Bulgakova |
The Method of Combinatorics as a Modification of the Sonata Principle in the Works of the Chinese Composer Tan Dun
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