| HISTORY |
| M.A. Moiseeva |
Moors in the Spanish Organ Art
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| FOLKLORISTICS |
| S.Yu. Gutova |
Physiological Vibration as an Acoustic Component of Authentic Timbre-Toning
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| MUSIC IN THEATRE |
| N.B. Seliverstova |
The First Directorial Experiences of the "Actualization" of Classical Opera
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| PERFORMING ART |
| S.R. Yolchueva |
On the Interpretation of the Genre of the Sonata on the Example of the Sonata for Violin and Piano by Jeyhun Allahverdiev
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| Huang Zeyue |
The Role of Russian Opera in Promoting the European Opera Market
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| O.Y. Ushakova |
On the Problem of Meaning Formation in the Late Period of Robert Schumann’s Work (on the Example of the Sonata for Violin and Piano No. 1)
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| WHITH A CUP OF TEA |
| A.S. Konivec |
Interview with People’s Artist of Russia Alexander Andreevich Tsygankov
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| WORKS BY CONTEMPORARY COMPOSERS |
| L.T. Jafarova |
Timbre and Textural Features of Firangiz Alizade’s Work "Dedication to Nasimi"
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| ANNIVERSARIES |
| A.I. Demchenko |
The Eve of the Sixties To the 90th Anniversary of the Birth of Rodion Shchedrin
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