| THEORY |
| I.G. Razinkova |
Realization of the Genre of Romance in Vocal and Instrumental Creativity (Based on the Music of S.V. Rachmaninov)
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| HISTORY |
| М.А. Каsimova |
Azerbaijan State Orchestra of Folk Instruments in the Context of Sociocultural Modernization Processes
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| A.N. Lipov |
Jael Kraut John Cage and a hoax of musical silence. From silence to silence. Music and philosophy in the twentieth century. Amsterdam. 2010. Volume V. З. 102–117
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| PERFORMING ART |
| O.Yu. Kijowski |
Features of the Temperament of the Organs of Northern Germany XVII–XVIII Centuries and Works in Modis Fuctis
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| I.A. Melikhov |
Rhythm of the nature in Nebojsa Zivkovic’s music: TAK-NARA for percussion quartet op. 36 (2009)
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| Cao Yu |
Analysis of Performing Techniques and Techniques When Playing the Classical Saxophone: the Use of Breathing and Fingering
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| ARTISTIC PORTRAIT |
| V.A. Esakov, V.V. Kondakov |
Great Master of Accordion Art
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| TEACHER’S WORKSHOP |
| I.E. Mikhailov |
Rustle of Music Pages: Creative in the Chamber Space
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| B.G. Gnilov, M.L. Novikova |
Teaching Elementary Harmony to Adults from the Ground Up
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| BOOKSHELF |
| L. Vishnevskaya |
About the Book by A.I. Demchenko “Picture of the World in Musical art Russia at the Beginning of the XX Century "
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