| HISTORY |
| A.G. Garanova |
The Genre of Etude in the Work of A.G. Rubinstein (on the Example of op. 23)
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| L. Belyakaeva-Kazanskaya |
Forgotten Score by A.K. Glazunov: Symphonic Prologue “In Memory of N.V. Gogol"
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| THEORY |
| Hao Linchong |
Tchaikovsky’s Opera "Eugeny Onegin", Study of the Tenors’ Voice
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| TEACHER’S WORKSHOP |
| M.M. Akhmetshin, I.V. Zupikov, O.I. Potapov |
Specific Features of the Process of Development of Professional Competences at the Military Conductor’s Department of the Military Institute (Military Conductors) of the Military University When Studying the Discipline «Methodology of Rehearsal and Conducting Practice in a Military Brass Band»
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| PERFORMING ART |
| Van Tszin |
Peculiarities of Conductor-Singer Work
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| V.N. Sukhorukov |
Military Conductor’s Paralinguistics: Problem Statement
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| MUSICAL CULTUROLOGY |
| N. Solomonova |
Revive the Greatness of Russian Music
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| ARTISTIC PORTRAIT |
| N.S. Huseynova |
The role of Bulbul in the Creation of the Azerbaijani Vocal School Dedicated to the 125th Anniversary of the Outstanding Azerbaijani Opera Singer Bulbul
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| WORKS BY CONTEMPORARY COMPOSERS |
| A.M. Gosteva |
«Kama Bridge» by Peter Kulichkin: Range of Problems. Some Features of Musical Composition
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