| HISTORY |
| M.A. Gotsdiner |
Performance as a sacrament
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| THEORY |
| I.A. Koshcheeva |
The sound image of piano in music of domestic composers of the second half of the XX century (on the example of piano sonates)
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| TEACHER’S WORKSHOP |
| A.N. Butenko, O.V. Sklyarova |
The voice – is as the path of the human soul: To the problem of creative formation of an opera performer
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| O.A. Blok |
To the question of the formation of the aesthetic taste of students musicians in instrumental classes
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| R.N. Slonimskaya |
University multimedia resource “Stories of Russian music”
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| PERFORMING ART |
| M.I. Imkhanitskii |
About New Systematization Principles Musical Instruments
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| N.N. Nekrasov |
Performing intellectualism in the context of the interpretation of music of the second half of the 20th century
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| WORKS BY CONTEMPORARY COMPOSERS |
| A.L. Chernyaeva |
Yury Vorontsov: «Pastoral» for Symphony Orchestra
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| ANNIVERSARIES |
| B.B. Turbyanov, E.G. Novokreschennykh |
In 2021, the Tchaikovsky College of art, one of the leading creative educational institutions in Buryatia, celebrates its 90th anniversary!
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| Yu.M. Thagazitov |
Peculiarities of the Poetic Text of Ali Shogentsukov in the First National Opera «Kyzburun» (to the 120th Birthday Anniversary)
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