| HISTORY |
| G. Alfeevskaya |
At another edge I sing a different Soldier Duel and the Devil in Stravinsky's music
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| THEORY |
| S.I. Nesterov |
In Dialogue with Bach: Emblems in the Baroque Sonatas for Violin Solo of XX Century
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| ARTISTIC PORTRAIT |
| M. Golubkova, V. Grachev-ml. |
Bus number 1 musical impressions of the poet, writer and the artist Dmitry Golubkov (1930–1972) or "I glue bel canto fragments ..."
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| A. Demchenko |
Muse of Alexander Pushkin
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| FOLKLORISTICS |
| O.V. Chernobaeva |
Musical-ethnographic Tradition Top Poochya: to Research Problem
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| PERFORMING ART |
| N.L. Kengerli-Najafova |
Analysis of the performing articulation of G. Garaev’s three preludes in the interpretation of F. Badalbeyli
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| CONCERTS & FESTIVALS |
| E. Shelukhina |
"The magic of music" from the Russian national orchestra
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| ANNIVERSARIES |
| E. Lopatova |
Interview with People’s Artist Russia A.A. Tsygankov. On the eve of the 70th anniversary of the master
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| COMPETITIONS |
| V.A. Makarova |
Peculiarities of the Cyclization of Mélodie in the Work of G. Fauré (on the Material of the Vocal Cycle «La bonne chanson»)
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