Music and Time Annotation << Back Peculiarities of the Cyclization of M&#233;lodie in the Work of G. Faur&#233; (on the Material of the Vocal Cycle «La bonne chanson») V.A. Makarova In the article "La bonne chanson" ("Good song") is considered. Fauré is the most vivid and executed of the seven vocal cycles of the composer. He has exceptionally strong internal connections. The images of love and nature, two types of texture, the declamatory intonation of the vocal part, the leitmotif Beloved and separate through motives, tonal rolls will act as the through elements of the cycle. In the cycle, there are features of a large-scale three-part with features of sonata. All these discoveries G. Fauré outline the road to the rich with the techniques of symphonizing the vocal cycles of the twentieth century. Keywords: Gabriel Fauré, Paul Verlaine, "Good song", vocal cycle, mélodie. Contacts: E-mail: xtory94@mail.ru Pp. 43-57.