| HISTORY |
| L.A. Hajiyeva |
Song genre in Azerbaijan in the light of musical and critical views of the II half of the twentieth century
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| K.Yu. Mikhaylov |
"Sofya Perovskaya": Last Joint Work of D.D. Shostakovich and L.O. Arnshtam
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| THEORY |
| Yu Yalong |
Sonata for Cello and Piano, op. 65 Frederic Chopin in the Prism of Research Concepts and Performing Interpretation
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| M.L. Novikova |
F. Liszt «Septem sacramenta». Features of Romantic Harmony in the Music for Worship
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| PERFORMING ART |
| L.D. Belenov, A.V. Furukin |
W.A. Mozart: Horn Concertos – Unknown About Known
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| FOLKLORISTICS |
| S.Yu. Gutova |
Timbre and Stylistic Features of the Neo-Folklore Composer Language. Part 2
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| I.G. Israfilova |
"Shemsi-gemer" peshrov
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| TEACHER’S WORKSHOP |
| M.A. Gotsdiner |
We Play Harmonics. Secrets of Craftsmanship
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| ARTISTIC PORTRAIT |
| D.Zh. Zhumabekova, A.E. Zheksembaj |
Murat Serkebaev – Conductor, Musical and Public Figure (on the Occasion of the 80th Birthday)
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