| THEORY |
| V.E. Apoltseva |
The Three Sides of Musical Content from the Renaissance to the twentieth century
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| V.A. Koloney |
Intonation the beginning of music
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| MUSICAL CULTUROLOGY |
| Chzhan Tsyanvey |
Poetry of Mao Zedong and its implementation in music
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| PERFORMING ART |
| O.I. Abramov |
A. Thomasi. Concerto for trombone with orchestra. Some remarks on the work and its execution
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| B.A. Pronin |
Methodological analysis of the setting of the performing apparatus of trombonist
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| NEW MUSIC |
| A.S. Yusifova |
The «sounds of mugam» – cycle of pieces for young pianists by azerbaijani composer S. Ibragimova
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| MUSIC IN THEATRE |
| E.E. Markelova |
S.S. Prokofiev. The Love for Three Oranges: concerning question of functional meaning of the choir in the opera (a research essay)
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| WORKS BY CONTEMPORARY COMPOSERS |
| N.V. Sypalo |
To the problem of ethnocultural identity in piano music Dagestani composers of the post-Soviet period
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| IN MEMORIAM |
| F.T. Uzdenova |
Iskhak Urusov. The Image of Musician in the Memoirs and Poem by A. Urusova «The Silent Violin»
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| M. Makarova |
Prometheus spirit
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