| HISTORY |
| N.V. Pilipenko |
Viennese Singspiel
in the Late 18th–Early 19th
Century: Origin
and Diversity
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| Z.N. Torogeldieva, F.S. Efendiyev |
Creativity of Russian Artists
and Culture in the Formation
and Development of Ballet
Art in the KBR
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| M.A. Karachevskaya |
Russian Musical Art in
Scientifi c and Critical
Heritage by Mikhail Gnessin
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| ARTISTIC PORTRAIT |
| L. Belyakayeva-Kazanskaya |
"Like two wings" Music of Andrei Yakovlevich Eshpai
in the fi lms of Andrei Andreevich Eshpai
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| BOOKSHELF |
| L. Vishnevskaya |
"Two geniuses from the banks of the Volga"
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| ART-MANAGEMENT AND MUSIC PRODUCTION |
| D.G. Rodionova |
On Training Music
Producers in the Modern
University
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| MUSICAL CULTUROLOGY |
| K.V. Politkovskaya, V.A. Volobuev |
Cultural Peculiarities
of the Formation
Pop-jazz Music
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| COMPETITIONS |
| V.O. Petrov |
Fructus temporum.
2nd International Correspondence Contest
of composers among students, undergraduates
and postgraduates of various specialties of secondary
and higher educational institutions of art
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| I.G. Makalovskaia |
Gabriel Prokofi ev’s Concept
Nonclassical as Classical
Crossover on the Example
of «Concerto for turntables
and orchestra»
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