Music and Time Annotation << Back Chamber Ensemble: in Search of New Paints I.V. Semeriaga The relevance of this article is concluded that in the last the repertoire question for chamber ensembles of nonclassical structure is raised that is important and interesting aspect in ensemble performance. The competitive terms are "dictated" sometimes to musicians by the rules, and performers should solve difficult repertoire tasks. Speaking at the International competition "Shubertiada" devoted to the 220 anniversary since the birth of Franz Schubert we executed a vocal sketch of Schubert "On the river", and for similar structure (a soprano, a french horn and a piano) this composer has no second work. We pribegnut to quite courageous experiment and made the interpretation of "The Georgian dance" of Sulkhan Tsintsadze as conditions of a competition gave such opportunity. In fact, we took option of transposition of F. Usov as a basis, but added to this ensemble of a soprano. The purpose of this article – justification of legitimacy of creation of new interpretation of the famous work. Keywords: chamber ensemble, specifi cs of chamber performing art, Lev Raaben, variability, Shubertiada, Franz Schubert, academy of Maymonid, a vocal sketch "On the river", Harry Goldshmidt, Levi Hoffman, Sulkhan Tsintsadze, "The Georgian dance", Horumi, Anton Usov, Shalva Aslanishvili. Contacts: E-mail: hohhorn85@gmail.com Pp. 28-30.