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The Ways of Developmentof Mandolin Performingin the Modern World: Italy
Y.N. Mochalova

The article describes the main stages of the development of mandolin art in Italy the second half of the 20th and beginning of the 21st centuries. During the first decades after the Second World War, the mandolin performance was in a state of decline – the high performing level and the popularity of the instrument achieved in the previous era of the romantic mandolin were lost. Since the 50-s the achievements of leading specialists contributed to the revival and propagation of the academic direction in performance, the introduction of tools into the system of vocational education, the formation of a methodological and theoretical basis. At different times, D. Cerrone, P. Pecorraro, L. Lippi, C. Catania, G. Pandini, C. Giacomel, the Calace family played an important role in the
development of the instrumentation; J. Anneda, N. Catania, B. Bianchi, A. Pitrelli, U. Orlandi, K. Aonzo – in the development of performance and pedagogy, the propaganda of the genre at the international level. The emergence of a professional community and periodical on issues of performance: the Italian Mandolin Federation (1970) and the Plectrum magazine (1989), and the creation
of a whole system of festivals and competitions (Brescia, Venice, Campobasso, Varazze) became important milestones. All this contributed to the expansion of the influence of the Italian performing school and the development of performance in many countries of the world.
Keywords: mandolin, mandolin performing, mandolin production, Italy, Calace.

Contacts: E-mail: katya7799@mail.ru

Pp. 15-18.

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