Music and Time Annotation << Back Khudoley`s Transcription "The concert suite for piano by Mussorgsky's opera «Boris Godunov»" from the Perspective of Intertextual Analysis O.Y. Ushakova The content of the article aims to review of the methodology of the analysis of musical texts belonging to the genre of transcription. Based on the theory genre by B. Borodin, the author clarifi es the criterion for assessing the individual interpretation of the original. The methodological basis of the search criterion are the basic concepts of the theory of intertextuality in versions by M. Aranovsky (methods of variations and derivations) and M. Raku (the term "textual anomalies" as the interpretant of the deep meaning of a literary text, or "secret intertextuality"). Reliance on these concepts are allowed to carry out analysis of the intertextual "Concert Suite" Boris Godunov "by Mussorgsky" I. Khudoley, strengthening its hermeneutic dimension. The result was shown by the deep structure of the art text transcription. It is treated as an interpretative essays code explaining expressed in the transformation of the original nature of the author's personality. Originality transformation Khudoley concepts of literary texts of Pushkin and Mussorgsky justifi ed as a result of shifts in the ontological ambiguity of tragedy "Boris Godunov" general opposition. The dominant value in the interpretation of Khudoley acquires structure is no longer a social nature ("the people and the government") and metaphysical – "sacred-profane". It expresses the kind of national existence, which S. Averintsev justifi ed within the meaning of the symbol of russian spirituality. Кеуwords: transcription, analysis methodology, interpretation, intertextual analysis. Contacts: E-mail: uo1980@yandex.ru Pp. 14-18.