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Music and Time

Annotation
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Poiesis of the MusicS.V. Rachmaninov:Some Approachesto the Analysis
N.N. Miklina

The secret of the extraordinary popularity of the music of Rachmaninov, embedded in her senses and her cathartic impact on
the audience, especially those who have roots in the Russian soil, now occupies the minds of many researchers. The article makes
an attempt to define some methodological guidelines for disclosure of these issues on the content of the term «poiesis», which is
interpreted by modern philosophers as the process of creative expression, are difficult to meaning, but contains in itself the meanings
that Express the same essence of man and the world. Setting for reflection mainly of domestic philosophers, psychologists, poets,
writers, musicians, analysts music allowed us to identify the approaches and methods that, according to the author, is most
consistent with national and universal qualities of the Russian soul, imprinted in the music of Rachmaninov according to the unique
characteristics of his personality, peculiarities of its perception of the world. Methods of sublimation, transference, holistic analysis,
dialectic of becoming (ascent), supplemented by the methodology of Russian Lad, transspective and metapoetics approaches,
largely coincide with the content of the works of Rachmaninov. Conscious application of these methods can contribute to a deeper
penetration into the overt and hidden meanings of music by Rachmaninov, the unique nature of his creative talents.
Keywords: poezis, sublimation, holistic analysis, the dialectics of becoming, the methodology of Russian Lad, transference, metapoetics and
transspective approaches.

Contacts: E-mail: miklina45@mail.ru

Pp. 17-25.

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