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Music and Time

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Opera work «A King, Riding» by Klaas de Vries as Martaler`s Masterpiece
E.V. Sanicheva

The article goes on the Dutch composer Klaas de Vries, his opera work «A King, Riding» and the situation on contemporary
music scene in the Netherlands as part of international music arena and many different influences coming from across musical
Europe. The article also brings to light the how it all has been made, the juxtaposition and collaboration of composer and stage
director through many and many schools, manners, influences and so-called «fashion» tendencies in contemporary music and
theater culture as well as the activity of some significant composers and stage directors of our days.
Feature of handwriting of Marthaler – the maximum expressiveness at a minimum of means – as well as possible approached
a form of «drama monologues» of the opera. The question of authenticity of the essence of the personality is at the center raised.
Six monologues of six characters of the novel formed the basis of opera composition, and illusory life only of the mentioned hero
becomes its driving force.
Keywords: Klaas de Vries, Ch. Martaler, Rotterdam School of Composition, the Netherlands, opera in the Netherlands.

Contacts: E-mail: sanicheva@gmail.com

Pp. 12-15.

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