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Music and Time Annotation << Back
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Trumpet Playing in the United
States: Issues of History,
Performance, and Pedagogy.
Part 5. Trumpet in the Works
of American Composers
of the Second Half of the
20th – Early 21st Centuries |
V.N. Manuilov
The purpose of the work is to characterize the national solo repertoire for trumpet, created in the second half of the XX – beginning of
the XXI century. the article describes a number of artistic works of various genres – sonatas, concertos, compositions of small forms. Unlike
previous stages, the modern American trumpet repertoire is expanding significantly thanks to the activities and requests of organizations such
as the National Association of Music Schools and the International Guild of Trumpeters, as well as orders from leading performers and concert
organizations. The analyzed material allows us to conclude that the repertoire for the works refl ects two main trends in American academic music
of the modern period. The fi rst is the creation of avant–garde trends (including minimalist and electronic trumpet compositions), the second is the
creation of compositions that are maximally accessible to the general public, and therefore written in a neoclassical or neo–Romantic style; the
use of jazz stylistics is also important. Despite the fact that modern compositions vary in artistic and technical level, they are united by the fact
that (in most cases) they were created by professional composers, taking into account the requirements of customers. Consequently, we can talk
not only about quantitative, but also about qualitative improvement of the repertoire in comparison with previous periods, about its development
by expanding the imaginative palette, using a new group of expressive and technical means, which include non-traditional methods of sound
production, color techniques, etc. It is possible to draw a conclusion about the formation of the national repertoire.
Keywords: trumpet, musical culture of the USA, repertoire for trumpet, compositions for trumpet by modern American composers.
DOI: 10.25791/music.1.2026.1393
Pp. 21-27. |
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