Music and Time Annotation << Back Mystery of Vladimir Spivakov: «Vladimir Spivаkov’s Dialogues with Solomon Volkov» S.Ya. Vartanov The article deals with the problem of multi-stakeholder dialogue that leads musician. An example is the work of Vladimir Spivakov – the famous Russian conductor, artistic director and chief conductor of the National Philharmonic Orchestra of Russia, a violinist and teacher. As sources of selected materials prepared for the anniversary of the artist: a documentary in four series «Vladimir Spivakov. Dialogues with Solomon Volkov», shown on TV channel «Russia К», and the book «Solomon Volkov. Conversations with Vladimir Spivakov», published by the publishing house AST. The initial theoretical section of the article presents a historical overview – milestones in the development of the genre of dialogue, formation of views on the process of cognition of reality in science and in art. The basis for the review of the musician-performer is the theory of Bakhtin, emanating from the dialogic nature of human life and knowledge. Dialogue is also devoted to the problems of the monograph of the author of these lines, which shows that the musician is multilateral dialogue: with the work (the image of the author), a world art culture, with a tool with an audience of listeners. It integrates, these sources of information into a single communicative chain. The end result of the dialogue – the interpretation of the concept of individual works. The article shows the universal importance of dialogue in the work of Vladimir Spivakov. Keywords: Vladimir Spivakov, Solomon Volkov, a genre of dialogue, program, the concept of interpretation, synthesis of the arts. Contacts: E-mail: varser@mail.ru Pp. 18-24.