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Music and Time

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From the History of Formation of Compositor School in Kabardino-Balkaria
A.S. Mishaeva

The article examines the first stage in the process of formation of compositor school in Kabardino-Balkaria. The author
ascertains the similar «script» of the named process in all outlying regions of the Soviet Union – the role and significance of Russian
composers sent from Moscow and Saint-Petersburg. They helped in autonomous republics and regions to give birth to first sprouts
of cultural infrastructure, to build the foundation of future regional compositor schools. On the ground of folk songs and instrumental
tunes first professional music appeared, adapted to the strict limits of professional music genres.
The basis for the creative union in the republic was grounded by Arseniy Avraаmov and Truvor Sheibler, who were living for
long time in the space of specific ethnic culture of kabardians and balkarians and thus managed to interlace rhythmic and intonation
archetypes in the professional music of different genres. Later on a considerable tribute in the development of national compositor
school was made by S. Ryausov, A Mosolov, N. Myaskovsky, S. Prokofiev, V. Muradely and others, who using ethnic tunes and
dance mellows composed choral works, romances, symphonies, quartets.
Keywords: Kabardino-Balkarian Republic, the Union of composers, folk music, professional music genres, A. Avraamov, T. Sheibler.

Contacts: E-mail: mishaeva.amina@yandex.ru

Pp. 48-52.

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