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Music and Time

Annotation
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Gould’s Phenomenon in Aspect of Representation Esthetics
Yu.A. Monastyrshyna

G. Gould is one of the most mysterious and ambiguous figures in performing culture of the twentieth century. He defined in
many respects the main tendencies in performance of our days. Therefore it is so important to understand what tendencies mean,
and what their nature. Investigating works of the Canadian pianist, we need to enter new concept, namely: «a representation
esthetics», because on our deep belief out of this esthetic system it is impossible to comprehend a Gould’s phenomenon really.
G. Gould tries to show existence of work, its relevance and potentiality. The phenomenon of the execution accumulating round
itself a set of interpretative fields results. Within «a representation esthetics» Gould shows us a phenomenon «the text unequal to
itself». Investigating the text in reflections of different interpretative «mirrors», the pianist shows the huge amplitude of the musical
text interpretation.
Keywords: Glenn Gould, representation esthetics, performing culture, interpretation, piano.

Contacts: E-mail: monastyrshina2009@yandex.ru

Pp. 19-25.

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